Posts Tagged ‘Los Angeles Theater Review’
MACBETH
Monday, May 11th, 2015
Macbeth in sixty minutes. What sweeter words are there to those for whom Shakespeare is a taste not quite acquired (or those with only an hour to spare), especially when it’s Zombie Joe’s Underground Theatre Group’s Macbeth, adapted and directed by Denise Devin. Now, that’s my way to see The Scottish Play (or Playlet as the case may be).
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MUD BLUE SKY
Monday, May 11th, 2015
If three middle-aged flight attendants spending the night with a 17-year-old high school boy in a Chicago hotel room sounds like the setup for a 1960s sex farce à la Boeing-Boeing, think again. Marisa Wegrzyn’s Mud Blue Sky, the latest from The Road Theatre Company, turns out to be not just a laugh-out-loud comedy but a touching look at friendship, parenting, life choices, sisterhood, loneliness, growing older, and coming of age in the 21st Century.
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AROUND THE WORLD IN 80 DAYS
Saturday, May 9th, 2015
It took legendary Hollywood producer Mike Todd around $50,000,000 in today’s currency to bring science fiction writer Jules Verne’s Around The World In Eighty Days to the Todd-AO 70mm big screen back in 1958.
Actors Co-op does the same in 2015 with maybe about one-half-percent the budget, and I defy anyone to find the Co-op’s supremely imaginative, endlessly inventive small-stage revival any less entertaining than its Hollywood blockbuster predecessor.
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GUS’S FASHIONS & SHOES
Friday, May 8th, 2015
Plays don’t get much more testosterone-fueled than Gus’s Fashions & Shoes, the grittily dramatic, darkly comedic latest from writer-director Ron Klier, whose Cops And Friends Of Cops kept Vs. Theatre audiences glued to the edge of their seats two years back.
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CIRCUS UGLY
Tuesday, May 5th, 2015NOT RECOMMENDED
Some plays are so unexpectedly marvelous and/or so deeply thought-provoking that you can’t stop talking about them long after the house lights have gone back up. Gabriel Rivas Gomez’s Circus Ugly, the latest from Playwrights’ Arena, is likely to inspire almost as much post-performance conversation as those, but for a different reason. Yes, several of its performers manage to impress and so does a topnotch production design, but not even a lukewarm recommendation is possible for a play that still has me scratching my head and wondering, “WTF was that?!”
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A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
Sunday, May 3rd, 2015
The theater company whose recent reinvention of Kander & Ebb’s Cabaret for the intimate stage earned it both critical and audience raves now returns with a “downsized” staging of the Stephen Sondheim classic A Funny Thing Happened On The Way To The Forum, and the result is one of the funniest—and most ingenious—Forums ever.
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ABIGAIL/1702
Saturday, May 2nd, 2015
When last we saw her in Arthur Miller’s The Crucible, teen temptress Abigail Williams was about to flee Salem, Massachusetts and its infamous witch trials, leaving in her wake twenty hanged (or otherwise executed) victims of her venomous, vile, trumped-up accusations.
Playwright Roberto Aguirre-Sacasa now imagines Abby’s life ten years later, and fascinatingly so, in Abigail/1702, a play and production no Crucible lover will want to miss, and the latest from Long Beach’s International City Theatre.
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I AND YOU
Friday, May 1st, 2015
When was the last time you saw a contemporary teen dramedy that not only featured a pair of complex, non-stereotypical characters but added something to the genre and in its final moments left you breathless?
Lauren Gunderson’s I And You is that play, at once funny, captivating, and profoundly moving, a powerful piece of theater now getting its Los Angeles Premiere in a production highlighted by Jennifer Finch’s and Matthew Hancock’s star-making performances under Robin Larsen’s inspired direction.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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