Posts Tagged ‘The Road Theatre Company’

HIGH MAINTENANCE

Christian Prentice dazzles as a state-of-the-art robot about to star as Torvald in Ibsen’s A Doll’s House opposite TV diva Ivy Khan’s Nora in Peter Ritt’s High Maintenance, an initially captivating Road Theatre World Premiere that fails to live up to expectations in its romance-derailing, credibility-straining final scenes.
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MERCURY


No one does dark and twisted with quite the devilish glee of playwright Steve Yockey, proof positive of which can be seen in Mercury, a gloriously grizzly Road Theatre Company West Coast Premiere.
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BISEXUAL SADNESS


A bi woman about to marry the man of her dreams fears losing the community of gay women who welcomed her during her lengthy relationship with a lesbian in India Kotis’s Bisexual Sadness, a laughter-and-drama-packed Road Theatre World Premiere guaranteed to get you thinking and talking about sexuality and gender in new and unexpected ways.
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SCINTILLA


A grown son’s visit to his semi-estranged mother’s woodsy abode soon turns into a matter of life or death as a raging forest fire advances in their direction in Scintilla, Alessandro Camon’s gripping, suspenseful gut-puncher of a Road Theatre Company World Premiere.
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ACCORDING TO THE CHORUS


Backstage comedies pretty much have me at hello. No wonder then that I’ve fallen head over Capezios for According To The Chorus, Arlene Hutton’s captivating journey back in time to Broadway circa 1984, the latest World Premiere delight from North Hollywood’s Road Theatre Company.
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BELOVED


The Road Theatre Company’s three-shows-in-a-row return season goes from good to better to best of all with the World Premiere of Arthur Holden’s Beloved, a suspense-filled, twist-packed stunner that will leave you blown-away and breathless.
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BRIGHT HALF LIFE


An interracial same-sex couple embark upon a four-decade-long roller-coaster ride of romantic highs and lows in the Road Theatre Company’s Los Angeles Premiere of Tanya Barfield’s Bright Half Life, as funny and sad and moving a two-character dramedy as I’ve seen in ages.
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THE PLAY YOU WANT


Times may have changed since actors like Lupe Velez, Ricardo Montalbán, and Rita Moreno found themselves pigeonholed into one stereotypical role after another, but perhaps not as much as we’d like to believe, or at least not according to the The Play You Want, Bernardo Cubría’s scathingly funny look at the compromises a writer named Bernardo Cubría must make to make it to Broadway.
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