PROOF

Ed Begley Jr has earned a whopping Emmy nominations in his illustrious career, but it’s Heyden Begley who commands the El Portal Theatre stage as the brilliant but emotionally fragile daughter of a mathematical genius gone mad in David Auburn’s Pulitzer Prize and Tony Award-winning Proof.
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APPLAUSE

Leslie Stevens and Savannah Mortenson deliver matching star turns as Margo Channing and Eve Harrington in the Group Rep’s Summer of 2026 revival of Applause, but the stage adaptation of the Hollywood classic All About Eve pales in comparison to its fellow 1970s Best Musical Tony winners Company, A Little Night Music, A Chorus Line, and Sweeney Todd.
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MEAN GIRLS


No one can top Wisteria Theater these days when it comes to downscaling big-stage/big-budget Broadway musicals to intimate proportions while maintaining maximum entertainment value. Case in point, their fetch and fabulous take on Mean Girls The Musical.
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A TIME TO KILL

Hudson Long as plucky street lawyer Jake Brigance and Anica Petrovic as the comely University of Mississippi law student who is by his side every step of the way are the two best reasons to catch John Grisham’s A Time To Kill at the Group Rep. Not so much its clunky direction and only so-so design.
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HELL MOUTH

There’s some fine work being done on the Road Theatre stage, but unless you’re an art connoisseur, you’re likely to find the company’s latest World Premiere, Tom Jacobson’s Hell Mouth, too intellectual and esoteric to rank among the prolific playwright’s best.
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REEFER MADNESS


Women cry for it, men die for it, and the audience goes wild for it in Wisteria Theater Company’s wickedly entertaining take on Reefer Madness The Musical, Kevin Murphy and Dan Studney’s tuneful stage adaptation of what is surely one of the worst movies ever made.
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STEEL MAGNOLIAS


Six terrific actresses strut their comedic stuff as a sextet of Louisiana women whose delicate exteriors hide tough-as-steel cores in the Group Rep’s season-opening crowd-pleaser, Robert Harling’s Southern-fried charmer Steel Magnolias.
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LIFELINE


A suicide hotline center provides the backdrop for Robert Axelrod’s Lifeline, a Road Theatre Company World Premiere dramedy as compelling as it is funny as it is ultimately quite moving thanks to a terrific script, a fabulous cast, a sensational production design, and Ken Sawyer in the director’s chair.
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