HOW HIGH THE MOON


If you think the 1950s were all The Adventures of Ozzie and Harriet and Leave It To Beaver, then you haven’t met the the Butlers and Thompsons of Van Nuys, whose hornet’s nest of secrets and lies come to light over the course of an explosively entertaining Fourth Of July weekend in Barbara Nell Beery’s How High The Moon.
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CLOWN SH*T


Absurdist theater meets romantic comedy meets a meditation on life and death and what comes in-between in Clown Sh*t, Hope Lauren’s exhilarating, thought-provoking roller coaster ride of a World Premiere two-hander.
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AMERICAN IDIOT


Punk rock energy ignites the Broadwater Mainstage in Conundrum Theatre Company’s high-octane revival of the international smash American Idiot, easily the rawest, grittiest, and most ear-splitting of the nine productions I’ve now seen of the Green Day musical.
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THE UNOFFICIAL ‘MEET THE ROBINSONS’ MUSICAL PARODY


Unofficial Musical Parodies don’t get any more inventive than Annika Hoseth’s delightful take on the 2007 animated Walt Disney smash Meet The Robinsons, now completing its crowd-pleasing run at the Broadwater Mainstage.
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MELANCHOLY PLAY


Quirkiness and whimsy meet operatic grandiosity meet Sarah Ruhl’s unique take on love and life at Hollywood’s Madnani Theatre in Melancholy Play, a terrific talent showcase for some of LA’s brightest young theatrical stars and as effervescent a comedic treat as any Ruhl lover could wish for.
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MELT

A nerdy gay college theater kid and the school’s hunky hockey team captain take an instant (but definitely not permanent) dislike to each other when auditioning for a same-sex romantic two-hander in Shak Kanish’s promising new play Melt, playing this weekend only at the Lee Strasberg Institute’s Marilyn Monroe Theatre.
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HELL’S KITCHEN


Coming of age has rarely been brought to life on the musical theater stage as movingly or exhilaratingly as it is in Alicia Keys’ Hell’s Kitchen, now bringing L.A. audiences to their feet at the Hollywood Pantages Theatre.
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IRONBOUND


Ironbound, Martyna Majok’s astringently funny, surprisingly affecting look at a Polish immigrant’s pursuit of “The American Dream,” is back in L.A. for an attention-worthy 3-week run at Hollywood’s Madnani Theater.
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