MARISOL

I can’t fault the talent that’s gone into bringing Open Fist Theatre’s revival of José Rivera’s Obie-winning Marisol to nightmarish life, but I found the Puerto Rican playwright’s vision of a dystopian New York City under siege almost as torturous to sit through as the unrelenting, apocalyptic horrors its titular heroine has to endure in scene after excruciating scene.
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THE ARSONISTS

Max Frisch’s 1950s absurdist gem The Arsonists gets a strikingly staged and marvelously performed 21st-century update at the Skylight Theatre that welcomes to the L.A. theater scene an exciting new collective appropriately called The Firebugs.
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F**KING STRANGERS


Erik Patterson, L.A.’s master of “I didn’t see that coming” plot twists, is back at Echo Theater with his sexiest and most provocative play in years, the twisty-turny, edge-of-your-seat, and very sexy F**king Strangers.
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IF/THEN

The production itself is a mixed bag, but at the very least Chromolume Theatre’s black-box staging of the Broadway musical If/Then gives L.A. audiences the chance to rediscover a show that didn’t deserve to vanish from sight after its National Tour played the Pantages ten years ago.
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THE GREAT CLOWN BANK SHOW

Though Open Fist Theatre Company scores an “A+” for adventurousness, the often entertaining “immersive theater extravaganza” that is Hank Jacobs’ The Great Clown Bank Show proves somewhat of a hit-or-miss enterprise.

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MAMMA MIA!


Mamma Mia!, the jukebox musical that started it all, has returned to the Ahmanson Theatre, its 25th-Anniversary Tour treating the Broadway mega-smash’s mega-multitude of fans to not only two dozen of ABBA’s Greatest Hits but a much-needed feel-good night or matinee of musical theater enchantment.
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MY ONE WOMAN SHOW (THE SEARCH FOR A TRUTHFUL MOMENT)


I’ve reviewed only 6 autobiographical solo shows over the past 5 years but acclaimed L.A. theater multi-hyphenate Stefan Marks’s exceptional My One Woman Show: The Search For A Truthful Moment has made it a very lucky 7.
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SOUL SACRIFICE

A 9-year-old Mexican American begins her journey towards adulthood in Boyle Heights circa 1970 in Consuelo G. Flores’s powerful autobiographical family drama Soul Sacrifice, a solid CASA 0101 World Premiere production that would be even better with a child actress in its leading role.
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