THE MUSIC MAN


Few Golden Age musicals stand the test of time the way Meredith Willson’s 1957 classic The Music Man has for the past 69 years, and if you don’t believe me check out the fabulously entertaining National Tour now paying a visit to the Ahmanson Theater.
(read more)

RORSCHACH


Four contemporary Angelinos find their lives intertwined with that of pioneering Swiss psychiatrist-psychoanalyst Hermann Rorschach more than a century after his death in Kelly Younger’s Rorschach, a spectacular World Premiere season opener for a Skylight Theatre Company rejuvenated under Cameron Watson’s artistic directorship.
(read more)

SAINT MEGAN


Playwright Joy Gregory manages to find both humor and heart amidst the hatred spewed by Topeka, Kansas’s infamous Westboro Baptist Church in her captivating and compelling new play Saint Megan, another stunning Rogue Machine Theatre World Premiere.
(read more)

WIVES

I wish I could say I enjoyed Jaclyn Backhaus’s time-hopping feminist comedy Wives as much as I did the delightful performances and dazzing designs on display in its Southern California Premiere at East West Players.
(read more)

THE DANCE AND THE RAILROAD


Tony-winning playwright David Henry Hwang combines fact, fiction, and Chinese Opera in The Dance And The Railroad, a strikingly acted, designed, and danced Artists At Play and Latino Theater Company revival of Hwang’s poignant 1981 one-act.
(read more)

THE PETERSON SHOW


The laughs come fast and furious amidst resurrected childhood traumas when five Cosby Show-style sitcom siblings find themselves reunited decades later in Janine Nabers’ The Peterson Show, the latest World Premiere Echo Theater Company must-see.
(read more)

A CASE FOR THE EXISTENCE OF GOD


A pair of single fathers from mirror-opposite backgrounds bond against all odds over parenthood, financial challenges, and a shared “specific kind of sadness” in Samuel D. Hunter’s deeply moving two-hander, A Case For The Existence Of God, the fifth of Hunter’s 15 “Idaho Plays” to get a pitch-perfect Los Angeles Premiere at Rogue Machine Theatre.
(read more)

MARISOL

I can’t fault the talent that’s gone into bringing Open Fist Theatre’s revival of José Rivera’s Obie-winning Marisol to nightmarish life, but I found the Puerto Rican playwright’s vision of a dystopian New York City under siege almost as torturous to sit through as the unrelenting, apocalyptic horrors its titular heroine has to endure in scene after excruciating scene.
(read more)

« Older Entries « Older Entries