BUYER & CELLAR


L.A. theater favorite Michael Mullen follows his engaging star turns in Love! Valour! Compassion! and Torch Song with an ebullient solo performance in Jonathan Tolins’ deliciously dishy one-man-and-a-diva comedy Buyer & Cellar, now playing at Burbank’s Victory Theatre.
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ANASTASIA


Anastasia The Musical provides a glorious close to the 2025-2026 La Mirada Theatre season as a Disney-style animated flick for the kiddies gets transformed into an epic romantic musical for grown-ups blessed by one fabulous performance after another and the most gorgeous costumes and cinematic backdrops in town.
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MY ONE WOMAN SHOW (THE SEARCH FOR A TRUTHFUL MOMENT)


I’ve reviewed only 6 autobiographical solo shows over the past 5 years but acclaimed L.A. theater multi-hyphenate Stefan Marks’s exceptional My One Woman Show: The Search For A Truthful Moment has made it a very lucky 7.
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GRANGEVILLE


Can two brothers estranged for over half their lives possibly find a path back towards reconciliation after decades of accumulated pain, anger and resentments? It is this question that is at the heart of Grangeville, Idaho-born-and-bred playwright Samuel D. Hunter’s most recent mini-Midwest-masterpiece, now getting an absolutely superb West Coast Premiere at the Ruskin Group Theatre.
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PRIMARY TRUST


The Pulitzer Prize Board doesn’t always get it right but they most definitely did in 2024 when they opted for hope, healing, and heart over heavy-handedness in honoring Eboni Booth’s Primary Trust, now getting a much anticipated Los Angeles Premiere at the Mark Taper Forum, with the Pulitzer Prize for Drama.
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HELL’S KITCHEN


Coming of age has rarely been brought to life on the musical theater stage as movingly or exhilaratingly as it is in Alicia Keys’ Hell’s Kitchen, now bringing L.A. audiences to their feet at the Hollywood Pantages Theatre.
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AIN’T MISBEHAVIN’


The “joint is jumpin’” like “nobody’s bizness” at the Nate Holden Performing Arts Center now that Ain’t Misbehavin’ has set up shop there to gift L.A. audiences with a bona fide entertainment bonanza.
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ASCENT


Henry Ong pays long overdue tribute to Qian Xuese, aka the “Father of Chinese Rocketry,” in Ascent, the much-missed playwright’s look back at not just one of the ugliest pages in American history but one with unmistakable parallels to today’s United States, brought to stunning life at the Skylight Theatre by director-dramaturg Diana Wyenn.
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