COME FROM AWAY


Excitingly reconceived staging and a fresh new design turn the Broadway smash Come From Away’s true-life tale of heroism, humanity, and heart triumphing over terror into one of the most thrilling A Noise Within musicals ever.
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FOREVER IN THERE OR F*CK AROUND AND FIND OUT


Forever in There or F*ck Around and Find Out. The title may be easily forgotten, but not the gripping Theatre of NOTE World Premiere that Kill Shelter’s Ashley Rose Wellman has written about two Americans at long last freed from captivity in an unspecified foreign danger zone.
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SWEENEY TODD

 


It takes talent, ingenuity, and a whole lot of chutzpah to trim an original Broadway cast of 26 down to a mere 11 performers and deliver a Sweeney Todd with the entertainment goods of a production more than twice its size, but that’s exactly what Ophelia’s Jump has done on a matchbook-sized stage over in Upland.
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THE DANCE AND THE RAILROAD


Tony-winning playwright David Henry Hwang combines fact, fiction, and Chinese Opera in The Dance And The Railroad, a strikingly acted, designed, and danced Artists At Play and Latino Theater Company revival of Hwang’s poignant 1981 one-act.
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THE FEEL GOOD STORY AMERICA NEEDS RIGHT NOW


Things get wild and crazy when six Americans held hostage by a band of Sudanese terrorists are reunited in New York for a 60 Minutes-style TV newsmagazine feature in The Feel Good Story America Needs Right Now, Mark Wilding’s latest World Premiere adventure in comedic mayhem at Theatre West.
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THE BED TRICK


HBO’s The Sex Life Of College Girls meets William Shakespeare’s All’s Well That Ends Well in Chance Theater’s California Premiere of Keiko Green’s overlong but devilishly clever The Bed Trick.
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KAIJU


Playwright Dan Caffrey may have bitten off a bit more than he can chew in Kaiju, his satirical mashup of Godzilla-style creature features and pretentions/clueless post-performance talkbacks, but I so enjoyed the World Premiere comedy now playing at the Road Theatre on Magnolia that I can’t really complain.
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A CASE FOR THE EXISTENCE OF GOD


A pair of single fathers from mirror-opposite backgrounds bond against all odds over parenthood, financial challenges, and a shared “specific kind of sadness” in Samuel D. Hunter’s deeply moving two-hander, A Case For The Existence Of God, the fifth of Hunter’s 15 “Idaho Plays” to get a pitch-perfect Los Angeles Premiere at Rogue Machine Theatre.
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