GREASE


I’ve seen eleven different productions of Grease, but none of them has reached the heights of Altadena Music Theatre’s thrillingly innovative under-the-stars reinvention of the 1972 Broadway smash.
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WAITING IN THE WINGS


Dames don’t get any grander than the grandes dames taking centerstage at Will Geer Theatricum Botanicum in Waiting In The Wings, Noël Coward’s charming 1960 salute to actresses of a certain age who’ve still got it in them to hold an audience spellbound.
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HOW HIGH THE MOON


If you think the 1950s were all The Adventures of Ozzie and Harriet and Leave It To Beaver, then you haven’t met the the Butlers and Thompsons of Van Nuys, whose hornet’s nest of secrets and lies come to light over the course of an explosively entertaining Fourth Of July weekend in Barbara Nell Beery’s How High The Moon.
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THE FULL MONTY


The sextet of laid-off upstate New York factory workers with plans to offer Buffalo gals a night they’ll never forget are at it again, but this time round they’re doing it in the round in The Nocturne Theatre’s inventively staged revival of Terrence McNally and David Yazbek’s 2000 Broadway hit musical The Full Monty.
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CLOWN SH*T


Absurdist theater meets romantic comedy meets a meditation on life and death and what comes in-between in Clown Sh*t, Hope Lauren’s exhilarating, thought-provoking roller coaster ride of a World Premiere two-hander.
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APPLAUSE

Leslie Stevens and Savannah Mortenson deliver matching star turns as Margo Channing and Eve Harrington in the Group Rep’s Summer of 2026 revival of Applause, but the stage adaptation of the Hollywood classic All About Eve pales in comparison to its fellow 1970s Best Musical Tony winners Company, A Little Night Music, A Chorus Line, and Sweeney Todd.
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F**KING STRANGERS


Erik Patterson, L.A.’s master of “I didn’t see that coming” plot twists, is back at Echo Theater with his sexiest and most provocative play in years, the twisty-turny, edge-of-your-seat, and very sexy F**king Strangers.
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JAGGED LITTLE PILL


Chance Theater superstar Jocelyn A. Brown delivers yet another dramatic and vocal tour-de-force performance, this time round as a seemingly perfect but secretly drug-addicted suburban housewife, in Chance Theater’s riveting take on Alanis Morisette’s Jagged Little Pill.
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