TEXAS SODOMY

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“There’s a black man with a gun in Apartment 833 of the Colorado Club Apartments acting crazy.” It’s that single brief 911 phone call that sets the ball rolling in Texas Sodomy, Howard Skora’s wildly entertaining, fact-based look back at the second-most groundbreaking Supreme Court decision in LGBTQ+ history.
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ENEMY OF THE PEOPLE


Tests that reveal contaminated water in the local hot springs pose an existential threat to townspeople whose livelihoods depend on tourist dollars in Bart DeLorenzo’s electrifying contemporary adaptation of Henrik Ibsen’s ahead-of-its-times 1882 shocker Enemy Of The People.
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HOW HIGH THE MOON


If you think the 1950s were all The Adventures of Ozzie and Harriet and Leave It To Beaver, then you haven’t met the the Butlers and Thompsons of Van Nuys, whose hornet’s nest of secrets and lies come to light over the course of an explosively entertaining Fourth Of July weekend in Barbara Nell Beery’s How High The Moon.
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F**KING STRANGERS


Erik Patterson, L.A.’s master of “I didn’t see that coming” plot twists, is back at Echo Theater with his sexiest and most provocative play in years, the twisty-turny, edge-of-your-seat, and very sexy F**king Strangers.
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THE GREAT CLOWN BANK SHOW

Though Open Fist Theatre Company scores an “A+” for adventurousness, the often entertaining “immersive theater extravaganza” that is Hank Jacobs’ The Great Clown Bank Show proves somewhat of a hit-or-miss enterprise.

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PAINTED PONIES


L.A. theater treasure Rachel Sorsa delivers an extraordinary solo star turn in Ian McRae’s powerful but bleak Ruskin Group Theatre World Premiere drama Painted Ponies.
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THE UNOFFICIAL ‘MEET THE ROBINSONS’ MUSICAL PARODY


Unofficial Musical Parodies don’t get any more inventive than Annika Hoseth’s delightful take on the 2007 animated Walt Disney smash Meet The Robinsons, now completing its crowd-pleasing run at the Broadwater Mainstage.
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THE FIRST GENTLEMAN

There are some terrific songs and performances in Torrance Theatre Company’s The First Gentleman, but the musical itself feels like it’s getting its World Premiere about 20 years too late.
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