THE UNOFFICIAL ‘MEET THE ROBINSONS’ MUSICAL PARODY


Unofficial Musical Parodies don’t get any more inventive than Annika Hoseth’s delightful take on the 2007 animated Walt Disney smash Meet The Robinsons, now completing its crowd-pleasing run at the Broadwater Mainstage.
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THE FIRST GENTLEMAN

There are some terrific songs and performances in Torrance Theatre Company’s The First Gentleman, but the musical itself feels like it’s getting its World Premiere about 20 years too late.
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MELT

A nerdy gay college theater kid and the school’s hunky hockey team captain take an instant (but definitely not permanent) dislike to each other when auditioning for a same-sex romantic two-hander in Shak Kanish’s promising new play Melt, playing this weekend only at the Lee Strasberg Institute’s Marilyn Monroe Theatre.
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ASCENT


Henry Ong pays long overdue tribute to Qian Xuese, aka the “Father of Chinese Rocketry,” in Ascent, the much-missed playwright’s look back at not just one of the ugliest pages in American history but one with unmistakable parallels to today’s United States, brought to stunning life at the Skylight Theatre by director-dramaturg Diana Wyenn.
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MILLENNIALS ARE KILLING MUSICALS

There is so much talent on the Colony Theatre stage that it’s a shame they’re not starring in a better show than Nico Juber’s deceptively titled and almost certainly not New York-bound Millennials Are Killing Musicals.
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BLUE KISS


All bets are off from the moment 17-year-old Susan arrives at 31-year-old Todd’s one-bedroom apartment for her first SAT tutoring session because if you think you know where things are going in Blue Kiss, Stephen Fife’s riveting two-hander now getting its World Premiere at the Ruskin Group Theatre, you’ve got another thing coming.
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FOR WANT OF A HORSE


“Horsing around” takes on new meaning in Olivia Dufault’s For Want Of A Horse, Echo Theater Company’s provocative World Premiere look at a man with two loves, his wife Bonnie and a filly named Q-Tip.
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HELL MOUTH

There’s some fine work being done on the Road Theatre stage, but unless you’re an art connoisseur, you’re likely to find the company’s latest World Premiere, Tom Jacobson’s Hell Mouth, too intellectual and esoteric to rank among the prolific playwright’s best.
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