Posts Tagged ‘William Shakespeare’

AS YOU LIKE IT


Sparking performances and inventive direction make a 427-year-old play come vibrantly alive for modern audiences in The Porters Of Hellsgate’s inspired take on one of William Shakespeare’s most frequently staged comedies, the provocatively gender-bending As You Like It.
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THE BED TRICK


HBO’s The Sex Life Of College Girls meets William Shakespeare’s All’s Well That Ends Well in Chance Theater’s California Premiere of Keiko Green’s overlong but devilishly clever The Bed Trick.
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PERICLES


Ten strangers seeking refuge from a storm in a disaster relief center find much in common with their displaced Shakespearean counterparts in Boston Court Pasadena’s thrillingly inventive staging of Ellen McLaughlin’s modern verse translation of Pericles.
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ROMEO AND JULIET


Casting real-life highschoolers as the world’s most iconic pair of lovestruck teens is just one reason Theatricum Botanicum’s Romeo And Juliet feels fresh and new. So is setting the classic tale of doomed adolescent lovers in Gilded Age New York.

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RICHARD III

Ann Noble delivers a tour-de-force performance in the title role, but I found Guillermo Cienfuegos’s edgy, contemporary, stunningly staged take on William Shakespeare’s Richard III hard to follow (and most of its characters hard to distinguish one from another). Then again, that just might be me and my conflicted feelings about the Bard, particularly when he is in history play mode.
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CYMBELINE


Cymbeline may seem an unlikely title for a Western a la Gunsmoke, Bonanza, or The Rifleman, but William Shakespeare and the American West prove an inspired mix in Antaeus Theatre Company’s 2025-26 season opener.
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& JULIET


Romeo’s teenage bride gets a new lease on life in the West End-to-Broadway smash & Juliet, quite possibly the most hit-packed musical in Broadway history and one that now tops my list of favorite shows of the past ten years right up there with The Prom, Come From Away, and Dear Evan Hansen.
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MUCH ADO ABOUT NOTHING


Beatrice and Benedick are once again at it tooth and nail, but this time round she’s wearing a hoopskirt and he’s sporting a Civil War-era Army uniform as director Ellen Geer transposes the Shakespeare comedy classic from 16th-century Italy to 1860s Virginia while sprinkling in one I Love Lucy-inspired physical comedy bit after another.
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