Posts Tagged ‘Arthur Miller’

A VIEW FROM THE BRIDGE


Pulitzer Prize winner Arthur Miller ignites fires of lust, jealousy, and revenge at Theatre Palisades in A View From The Bridge, a community theater stunner whose riveting performances and spot-on direction rival the best that L.A. equity houses have to offer.
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A VIEW FROM THE BRIDGE


Arthur Miller and Santa Monica’s Ruskin Group Theatre once again prove a match made in heaven with A View From The Bridge, magnificently performed in an intimate staging that turns every single audience member into a fly on the wall of this gritty Greek tragedy set on the waterfront of 1950s Brooklyn.
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DEATH OF A SALESMAN

A revelatory Rob Morrow heads an all-around superb cast in The Ruskin Group Theatre’s meticulously directed, stunningly performed 70th-anniversary revival of Arthur Miller’s Death Of A Salesman.
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THE PRICE

Arthur Miller was still going strong when The Price made its Broadway debut two decades after All My Sons and Death Of A Salesman made him a Broadway household name, and if his 1968 family drama isn’t in quite the same league as those two 20th-century masterpieces, it still makes for powerful, thought-provoking drama on the International City Theatre stage.
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DEATH OF A SALESMAN

Kevin McCorkle makes for a masterful, deeply affecting Willy Loman in The Process 360’s 70th-anniversary intimate staging of Arthur Miller’s Death Of A Salesman, now playing at North Hollywood’s Secret Rose Theatre.
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A VIEW FROM THE BRIDGE

Arthur Miller’s A View From The Bridge, this year’s Best Revival Tony winner, has arrived at the Ahmanson in a production likely to leave audience opinion split between “brilliantly innovative” and “pretentiously boring.” Though it took me a while to get there, I ended up veering towards the former point of view. Still, unless you’re lucky enough to be sitting either onstage (an option here) or up close (if you’ve got the bucks), the Ahmanson proves far too large a venue for a production as intimate as this one.
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ABIGAIL/1702


When last we saw her in Arthur Miller’s The Crucible, teen temptress Abigail Williams was about to flee Salem, Massachusetts and its infamous witch trials, leaving in her wake twenty hanged (or otherwise executed) victims of her venomous, vile, trumped-up accusations.

Playwright Roberto Aguirre-Sacasa now imagines Abby’s life ten years later, and fascinatingly so, in Abigail/1702, a play and production no Crucible lover will want to miss, and the latest from Long Beach’s International City Theatre.
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DEATH OF A SALESMAN


What better way for South Coast Repertory to open its 50th Anniversary season than with what many consider the finest play of the 20th Century, Arthur Miller’s Pulitzer Prize-winning Death Of A Salesman, and to do so with a twist—by casting the Lomans as an African-American family.
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