AMERICAN IDIOT


Punk rock energy ignites the Broadwater Mainstage in Conundrum Theatre Company’s high-octane revival of the international smash American Idiot, easily the rawest, grittiest, and most ear-splitting of the nine productions I’ve now seen of the Green Day musical.
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MEXODUS


New musicals don’t get any more one-of-a-kind than Brian Quijada and Nygel D. Robinson’s supremely inventive, supremely innovative, supremely elucidating and entertaining off-Broadway two-hander Mexodus, now dazzling Pasadena Playhouse audiences direct from its New York run.
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT


Director Larry Raben and choreographer Corey Wright reinvent Joseph And The Amazing Technicolor Dreamcoat like it’s never been reinvented before in a Musical Theatre West revival that feels fresh and new and very Gen Z-meets-Gen Alpha.
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IF/THEN

The production itself is a mixed bag, but at the very least Chromolume Theatre’s black-box staging of the Broadway musical If/Then gives L.A. audiences the chance to rediscover a show that didn’t deserve to vanish from sight after its National Tour played the Pantages ten years ago.
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E=MC²

If the life of Albert Einstein seems rather unlikely subject matter for a musical, at the very least the scientist who gave us the Theory of Relativity deserves better than E=MC², the well-intentioned musical muddle now guesting at Glendale’s Kiki & David Gindler Performing Arts Center.
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MEAN GIRLS


No one can top Wisteria Theater these days when it comes to downscaling big-stage/big-budget Broadway musicals to intimate proportions while maintaining maximum entertainment value. Case in point, their fetch and fabulous take on Mean Girls The Musical.
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MAMMA MIA!


Mamma Mia!, the jukebox musical that started it all, has returned to the Ahmanson Theatre, its 25th-Anniversary Tour treating the Broadway mega-smash’s mega-multitude of fans to not only two dozen of ABBA’s Greatest Hits but a much-needed feel-good night or matinee of musical theater enchantment.
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THE FIRST GENTLEMAN

There are some terrific songs and performances in Torrance Theatre Company’s The First Gentleman, but the musical itself feels like it’s getting its World Premiere about 20 years too late.
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