AUGUST WILSON’S MA RAINEY’S BLACK BOTTOM
Tuesday, September 1st, 2026
My mind may have wandered during the second half of Act One of August Wilson’s Ma Rainey’s Black Bottom, but when all is said and done, it’s a pretty darn spectacular season opener for A Noise Within.
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CONSCIENCE
Saturday, August 29th, 2026
Decades before lies, chaos, fear, personal attacks, intimidation, and bullying reigned supreme in Washington DC, a senator named Joseph McCarthy set it all in motion by waging war against suspected communists and Senator Margaret Chase Smith in Conscience, Joe DiPietro’s fascinating look back at how much times haven’t changed since 1950.
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GREEN CORRIDORS
Tuesday, August 25th, 2026
Natalka Vorozhbyt’s Green Corridors, a series of vignettes revolving around four Ukrainian women fleeing their war-torn land, works better as a showcase for City Garage’s unique style and sensibility than as a play for those who prefer more traditional linear realism to existential dreamscape theater.
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ENEMY OF THE PEOPLE
Monday, August 24th, 2026
Tests that reveal contaminated water in the local hot springs pose an existential threat to townspeople whose livelihoods depend on tourist dollars in Bart DeLorenzo’s electrifying contemporary adaptation of Henrik Ibsen’s ahead-of-its-times 1882 shocker Enemy Of The People.
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HOW HIGH THE MOON
Sunday, August 2nd, 2026
If you think the 1950s were all The Adventures of Ozzie and Harriet and Leave It To Beaver, then you haven’t met the the Butlers and Thompsons of Van Nuys, whose hornet’s nest of secrets and lies come to light over the course of an explosively entertaining Fourth Of July weekend in Barbara Nell Beery’s How High The Moon.
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PROOF
Tuesday, July 28th, 2026
Ed Begley Jr has earned a whopping Emmy nominations in his illustrious career, but it’s Heyden Begley who commands the El Portal Theatre stage as the brilliant but emotionally fragile daughter of a mathematical genius gone mad in David Auburn’s Pulitzer Prize and Tony Award-winning Proof.
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PAINTED PONIES
Monday, June 29th, 2026
L.A. theater treasure Rachel Sorsa delivers an extraordinary solo star turn in Ian McRae’s powerful but bleak Ruskin Group Theatre World Premiere drama Painted Ponies.
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A TIME TO KILL
Monday, June 1st, 2026Hudson Long as plucky street lawyer Jake Brigance and Anica Petrovic as the comely University of Mississippi law student who is by his side every step of the way are the two best reasons to catch John Grisham’s A Time To Kill at the Group Rep. Not so much its clunky direction and only so-so design.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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