PROOF

Ed Begley Jr has earned a whopping Emmy nominations in his illustrious career, but it’s Heyden Begley who commands the El Portal Theatre stage as the brilliant but emotionally fragile daughter of a mathematical genius gone mad in David Auburn’s Pulitzer Prize and Tony Award-winning Proof.
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PAINTED PONIES


L.A. theater treasure Rachel Sorsa delivers an extraordinary solo star turn in Ian McRae’s powerful but bleak Ruskin Group Theatre World Premiere drama Painted Ponies.
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A TIME TO KILL

Hudson Long as plucky street lawyer Jake Brigance and Anica Petrovic as the comely University of Mississippi law student who is by his side every step of the way are the two best reasons to catch John Grisham’s A Time To Kill at the Group Rep. Not so much its clunky direction and only so-so design.
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SOUL SACRIFICE

A 9-year-old Mexican American begins her journey towards adulthood in Boyle Heights circa 1970 in Consuelo G. Flores’s powerful autobiographical family drama Soul Sacrifice, a solid CASA 0101 World Premiere production that would be even better with a child actress in its leading role.
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GRANGEVILLE


Can two brothers estranged for over half their lives possibly find a path back towards reconciliation after decades of accumulated pain, anger and resentments? It is this question that is at the heart of Grangeville, Idaho-born-and-bred playwright Samuel D. Hunter’s most recent mini-Midwest-masterpiece, now getting an absolutely superb West Coast Premiere at the Ruskin Group Theatre.
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ASCENT


Henry Ong pays long overdue tribute to Qian Xuese, aka the “Father of Chinese Rocketry,” in Ascent, the much-missed playwright’s look back at not just one of the ugliest pages in American history but one with unmistakable parallels to today’s United States, brought to stunning life at the Skylight Theatre by director-dramaturg Diana Wyenn.
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SANCTUARY CITY


Sanctuary City, Martyna Majok’s gripping, thought-provoking examination the plight of undocumented Americanized teens now makes a stunning Orange County debut at Anaheim’s Chance Theater.
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WARSAW

Not everything works in Paul Webb’s Warsaw, but by the time it reaches its cathartic climax, there’s no denying the power the International City Theatre World Premiere achieves in juxtaposing WWII Poland and New York City in the weeks following 9-11.

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