MARY POPPINS


Carter Thomas not only proves himself a director par excellence, he gives silver screen greats like Gene Kelly, Donald O’Connor, and Dick Van Dyke a run for their dance showmanship as Bert (the role Van Dyke originated on screen) in Highlands Theater’s magical and mesmerizing revival of the Broadway smash Mary Poppins.
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THE FULL MONTY


The sextet of laid-off upstate New York factory workers with plans to offer Buffalo gals a night they’ll never forget are at it again, but this time round they’re doing it in the round in The Nocturne Theatre’s inventively staged revival of Terrence McNally and David Yazbek’s 2000 Broadway hit musical The Full Monty.
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E=MC²

If the life of Albert Einstein seems rather unlikely subject matter for a musical, at the very least the scientist who gave us the Theory of Relativity deserves better than E=MC², the well-intentioned musical muddle now guesting at Glendale’s Kiki & David Gindler Performing Arts Center.
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BUYER & CELLAR


L.A. theater favorite Michael Mullen follows his engaging star turns in Love! Valour! Compassion! and Torch Song with an ebullient solo performance in Jonathan Tolins’ deliciously dishy one-man-and-a-diva comedy Buyer & Cellar, now playing at Burbank’s Victory Theatre.
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ANTIGONE


Playwright Kenneth Cavander dusts the cobwebs off Sophocles’ Antigone in his contemporary adaptation of the 2500-year-old Greek tragedy … and the result is yet another Antaeus Theatre Company winner.

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DISNEY THE LITTLE MERMAID


Under the sea is the place to be and in-the-round is the way to experience its many magical wonders in The Nocturne Theatre gorgeously designed and swimmingly performed arena staging of Disney The Little Mermaid.
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MILLENNIALS ARE KILLING MUSICALS

There is so much talent on the Colony Theatre stage that it’s a shame they’re not starring in a better show than Nico Juber’s deceptively titled and almost certainly not New York-bound Millennials Are Killing Musicals.
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JESUS CHRIST SUPERSTAR


The Nocturne Theatre reinvents Jesus Christ Superstar to thrilling effect by re-situating the famed rock opera in a dystopian version of the world we live in today, and that’s only the beginning.

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