Posts Tagged ‘Los Angeles Theater Review’

THE CRIPPLE OF INISHMAAN

A stageful of stereotype-defying Irish islanders, an abundance of well-earned laughs and maybe even a tear or two thrown in for good measure are just a few of the reasons Martin McDonagh’s The Cripple Of Inishmaan at Antaeus Theatre Company adds up to one supremely satisfying (and pardon my Irish) fecking entertaining evening of L.A. theater.
(read more)

TITANIC THE MUSICAL

Titanic The Musical sails into Claremont to give Candlelight Pavilion Dinner Theatre one of its best productions ever—superb performances, gorgeous songs, first-class design, and a live orchestra to boot.
(read more)

PICK OF THE VINE 2019

Pick Of The Vine ups the quirky a bit too much in 2019, the main reason why, for this reviewer at least, only about half of Little Fish Theatre’s annual collection of “This Year’s Best Short Plays” hit the mark the way almost all of last year’s did.
(read more)

DEATH HOUSE

What starts off as a capital punishment-vs.-life imprisonment debate develops into something considerably deeper and more powerful in Jason Karasev’s profoundly moving Death House, a Road Theatre Company World Premiere.
(read more)

SPRING AWAKENING

Outstanding performances, nuanced direction, and thrillingly original choreography (all by USC students) make Musical Theatre Repertory’s intimate staging of the 2007 Broadway musical hit Spring Awakening one of the best in a long line of Grade-A MTR productions.
(read more)

LINDA VISTA

Tracy Letts could just as easily have called his latest play Train Wreck, so hot a mess is its 50-year-old protagonist that much of the pleasure of Letts’ relentlessly funny, defiantly unsentimental Linda Vista (a Steppenwolf visitor to the Mark Taper Forum) is watching its antihero (emphasis on the anti) get what he so richly deserves.
(read more)

MAMMA MIA!

Get out your disco boots and spandex as Cupcake Theater gives L.A. audiences their very first chance to enjoy the international megasmash Mamma Mia! up close and personal.
(read more)

1776

American history comes stirringly alive in Sherman Edwards and Peter Stone’s 1776, turning audiences at the La Mirada Theatre For The Performing Arts into flies on the walls of the Continental Congress of 1776 as our country’s Founding Fathers wrangle over the question of Independence.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »