Posts Tagged ‘Los Angeles Theater Review’

FOR THE LOVE OF (OR, THE ROLLER DERBY PLAY)

With director Rhonda Kohl choreographing like you’ve never seen a play choreographed before, it’s perhaps no wonder CTG picked Theatre Of NOTE’s For The Love Of (Or, The Roller Derby Play) to open year’s Block Party at the Kirk Douglas despite its overly familiar coming-of-age love story and a two-and-a-half-hour running time that could stand some significant snips.
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HAMLET

Five extraordinary actors of assorted ethnicity, gender, race, accent, and age make theatrical history by divvying up The Prince Of Denmark in The 6th Act’s brilliantly conceived, superbly performed Hamlet.
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AMERICA ADJACENT

The United States proves far from paradise for six Filipino women seeking a brighter future for their unborn (or recently born) infants in Boni B. Alvarez’s captivating and compelling hot-button-issue dramedy America Adjacent, a Skylight Theatre Company World Premiere.
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THE GLASS MENAGERIE

Director Geoff Elliott reinvigorates a 20th-century classic to stunning effect in A Noise Within’s 2019 revival of Tennessee Williams’ 1944 chef-d’oeuvre The Glass Menagerie.
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ATTACK OF THE SECOND BANANAS

Dueling divas get double-murdered in Gina Torrecilla’s Attack Of The Second Bananas, a World Premiere backstage comedy whodunnit that despite occasional bright moments mostly falls flat.
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CANYON

Memories of the way we were pre-Election 2016 ignite Jonathan Caren’s Canyon, the explosive latest from IAMA Theatre Company, Latino Theater Company, and the playwright who gave IAMA its much-awarded The Recommendation a half-dozen or so years back.
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TUESDAYS WITH MORRIE

A dying septuagenarian college professor with life lessons to impart. A career-obsessed 30something sports reporter in dire need of them. Welcome to Jeffrey Hatcher and Mitch Albom’s stage adaptation of Albom’s international best-seller Tuesdays With Morrie, a chuckles-inducing, crowd-pleasing tear-jerker from Sierra Madre Playhouse.
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THE JUDAS KISS

What he did for love. What he sacrificed for love. What he suffered for love. Playwright David Hare asks audiences to ponder whether Oscar Wilde’s unconditional devotion to Lord Alfred Douglas was worth the years of pain he endured in The Judas Kiss, the powerful, provocative latest from The Theatre @ Boston Court.
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