Posts Tagged ‘Los Angeles Theater Review’

JOCASTA: A MOTHERF**KING TRAGEDY

Technical marvels and some inventive directorial touches aren’t enough to rescue The Ghost Road Company’s Jocasta: A Motherf**king Tragedy from its performance-artsy approach to Greek tragedy and its lackluster lead.
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DESERT RATS

It isn’t just aspiring kidnappers who owe it to themselves to check out Nate Rufus Edelman’s Desert Rats for a primer on what not to do when abducting a high school cheerleader but anyone seeking L.A. theater at its entertainingly edgy best.
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WINK

Casting a non-binary actor as a non-binary protagonist merits snaps, but the two-hour suspension of disbelief required of an audience by Neil Koenigsberg’s Wink sinks whatever good intentions may have prompted its playwright to put fingertips to keyboard.
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THE EIGHT: REINDEER MONOLOGUES

A salacious Santa’s unspeakable indiscretions aren’t nearly so laughable in a #metoo era as they were when Jeff Goode premiered The Eight: Reindeer Monologues twenty-five Christmases ago, just one reason his quarter-century old collection of R-rated solo confessions proves even more powerful and relevant than when it debuted in 1994, a dark comedy gone darker than ever as its ingeniously staged, splendidly performed Crown City Theatre Company debut makes abundantly clear.
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SISTERS THREE

A pair of quirky contemporary adult siblings bearing more than a passing resemblance to Anne and Emily Brontë generate dramatic sparks aplenty in Jami Brandli’s Sisters Three, that is until Charlotte shows up near the end and the Inkwell Theater World Premiere turns from a mostly quite absorbing two-hander to a solo performance that goes off the deep end … way off.
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A CHRISTMAS STORY

Ralphie Parker’s back for a second December at the Sierra Madre Playhouse, still wishing and hoping to find a Red Ryder Carbine Action 200-shot Range Model air rifle BB gun under the tree, still providing audiences of all with A Christmas Story sure to both touch the heart and tickle the funny bone.
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ROPE

Director Anna Safar puts an unexpected but not unwelcome comedic spin on Patrick Hamilton’s Rope, a Robo & Bash Production at NoHo’s Avery Schreiber Playhouse.
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YES, VIRGINIA

Mindy Sterling and Arnetia Walker do some late-ish-in-life female bonding on New Year’s Eve in Stan Zimmerman and Christian McLaughlin’s feel-good holiday two-hander Yes, Virginia, the latest from Pop-Up Playhouse.
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