THE BEST BOARDING HOUSE IN DELAWARE
Friday, March 13th, 2026
Playwright Marja-Lewis Ryan is back, and reunited with her One In The Chamber star Heidi Sulzman in The Best Boarding House In Delaware, not only the year’s most deliciously dark comedy but one that marks the return to the stage of the exquisite Leigh Taylor-Young.
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SYLVIA SYLVIA SYLVIA
Saturday, February 14th, 2026Haunted house stories can be both thrilling and entertaining. There is, unfortunately, little fun to be had inside the Beacon Hill apartment occupied by blocked, depressed writer Sally in the present day and in the 1950s by her more celebrated (albeit equally depressed) 20th-century counterpart in Sylvia Sylvia Sylvia, Beth Hyland’s downer of a World Premiere at Westwood’s Geffen Playhouse.
RIGHTEOUS AMONG US
Tuesday, February 10th, 2026Sometimes it pays to stick around for Act Two, which is why I urge you to resist the temptation to exit Little Fish Theatre after Righteous Among Us’s talky, overpadded first act because if you do, you’ll be richly rewarded when Amy Tofte’s tale of Holocaust heroism both real and invented takes dramatic, compelling flight.
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THE TYPIST
Wednesday, February 4th, 2026
A jaded novelist and the cockeyed optimist he hires to type his latest opus try hard not to fall hard for each other in 1961 Greenwich Village in Shem Bitterman’s edgy and entertaining World Premiere two-hander The Typist, now playing at the Hudson Guild Theatre.
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THE CIRCLE
Monday, February 2nd, 2026Issues of familia, cultura, and política come to a head over the course of one tumultuous weekend in Stacey Martino Romero’s powerful if overlong World Premiere dramedy The Circle, now playing at the Greenway Court Theatre.
WHAT OPA DID
Tuesday, January 27th, 2026Audiences in search of uplifting, escapist entertainment in the dismal times we’re living through will not find it in Christopher Franciosa’s Holocaust drama What Opa Did, a Theatre 40 World Premiere not done any favors by James Paradise’s misguided direction.
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LIFELINE
Saturday, January 24th, 2026
A suicide hotline center provides the backdrop for Robert Axelrod’s Lifeline, a Road Theatre Company World Premiere dramedy as compelling as it is funny as it is ultimately quite moving thanks to a terrific script, a fabulous cast, a sensational production design, and Ken Sawyer in the director’s chair.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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