FOR WANT OF A HORSE
Tuesday, April 21st, 2026
“Horsing around” takes on new meaning in Olivia Dufault’s For Want Of A Horse, Echo Theater Company’s provocative World Premiere look at a man with two loves, his wife Bonnie and a filly named Q-Tip.
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HELL MOUTH
Sunday, April 19th, 2026There’s some fine work being done on the Road Theatre stage, but unless you’re an art connoisseur, you’re likely to find the company’s latest World Premiere, Tom Jacobson’s Hell Mouth, too intellectual and esoteric to rank among the prolific playwright’s best.
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CLARA VS. INFINITY
Tuesday, April 14th, 2026
The Curious Incident of the Dog in the Night-Time. Peter and the Starcatcher. And now Zack Rocklin-Waltch’s Clara vs. Infinity. Plays don’t get any more extraordinary than these.
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SOMEBODY TO LOVE
Tuesday, April 7th, 2026
Four college besties set off on a decades-long journey through life at the Rubicon Theatre in Somebody To Love, a crowd-pleasing World Premiere jukebox musical that with some script tweaking could have legs on the regional theater circuit.
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THE BAPTIST WITCHES OF SHELBYVILLE
Saturday, April 4th, 2026A trio of Tennessee sisters in their early 40s reunite for an entertaining albeit largely uneventful 4th Of July weekend back home in Julie Shavers’ World Premiere Southern Gothic comedy The Baptist Witches of Shelbyville, now playing once a weekend at the Whitefire Theatre.
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AMERIKA OR, THE MAN WHO DISAPPEARED
Tuesday, March 31st, 2026
Writer-director Dietrich Smith takes a young German immigrant on the journey of a lifetime in his stage adaptation of Franz Kafka’s Amerika or, The Man Who Disappeared, the year’s most exhilarating theatrical adventure ride.
THE BEST BOARDING HOUSE IN DELAWARE
Friday, March 13th, 2026
Playwright Marja-Lewis Ryan is back, and reunited with her One In The Chamber star Heidi Sulzman in The Best Boarding House In Delaware, not only the year’s most deliciously dark comedy but one that marks the return to the stage of the exquisite Leigh Taylor-Young.
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RED HARLEM
Tuesday, February 24th, 2026An intriguing truth-is-stranger-than-fiction premise (Stalin-era Soviets’ recruitment of African-American performers for a movie expose on racism in the U.S. to be shot in the USSR) and some inventively stylized staging by director Bernadette Speakes are two major pluses in Kimba Henderson’s Red Harlem. What it needs to achieve full impact is a trim.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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