F**KING STRANGERS


Erik Patterson, L.A.’s master of “I didn’t see that coming” plot twists, is back at Echo Theater with his sexiest and most provocative play in years, the twisty-turny, edge-of-your-seat, and very sexy F**king Strangers.
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THE GREAT CLOWN BANK SHOW

Though Open Fist Theatre Company scores an “A+” for adventurousness, the often entertaining “immersive theater extravaganza” that is Hank Jacobs’ The Great Clown Bank Show proves somewhat of a hit-or-miss enterprise.

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PAINTED PONIES


L.A. theater treasure Rachel Sorsa delivers an extraordinary solo star turn in Ian McRae’s powerful but bleak Ruskin Group Theatre World Premiere drama Painted Ponies.
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THE UNOFFICIAL ‘MEET THE ROBINSONS’ MUSICAL PARODY


Unofficial Musical Parodies don’t get any more inventive than Annika Hoseth’s delightful take on the 2007 animated Walt Disney smash Meet The Robinsons, now completing its crowd-pleasing run at the Broadwater Mainstage.
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THE FIRST GENTLEMAN

There are some terrific songs and performances in Torrance Theatre Company’s The First Gentleman, but the musical itself feels like it’s getting its World Premiere about 20 years too late.
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MELT

A nerdy gay college theater kid and the school’s hunky hockey team captain take an instant (but definitely not permanent) dislike to each other when auditioning for a same-sex romantic two-hander in Shak Kanish’s promising new play Melt, playing this weekend only at the Lee Strasberg Institute’s Marilyn Monroe Theatre.
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ASCENT


Henry Ong pays long overdue tribute to Qian Xuese, aka the “Father of Chinese Rocketry,” in Ascent, the much-missed playwright’s look back at not just one of the ugliest pages in American history but one with unmistakable parallels to today’s United States, brought to stunning life at the Skylight Theatre by director-dramaturg Diana Wyenn.
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MILLENNIALS ARE KILLING MUSICALS

There is so much talent on the Colony Theatre stage that it’s a shame they’re not starring in a better show than Nico Juber’s deceptively titled and almost certainly not New York-bound Millennials Are Killing Musicals.
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