LEGALLY BLONDE


Cabrillo Music Theatre now treats Ventura County residents (and SoCal musical theater lovers farther afield) to a sensational staging of Legally Blonde, 2005’s textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect musical comedy, particularly as directed at Cabrillo with assurance and flair by Legally Blonde Broadway vet Tiffany Engen.
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THE 39 STEPS


Glendale Centre Theatre proves that you don’t need a cast of dozens and a seven-figure budget to bring John Buchan’s The 39 Steps to life, despite a plot that takes hero-on-the-run Richard Hannay on an adventure from London to Edinburgh to the Scottish moors and back (during which he crosses paths with a hundred fifty characters or so). All you need are four crackerjack actors, an inventive design team, a tireless stage crew, and directorial whiz Todd Nielsen on hand to bring Buchan’s classic spy novel to vibrant, hilarious life.
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PACK UP THE MOON

NOT RECOMMENDED

A gay couple still dealing with the sudden crib death of their adopted child decide a year later to become parents again—this time through surrogacy. Could there be a more current, hot-button topic for a world premiere play?

If only Christina Cigala’s Pack Up The Moon lived up to that promise.
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SUNSET BOULEVARD


Let me put it simply. Musical Theatre West’s revival of Andrew Lloyd Webber’s Sunset Boulevard is the theatrical event of the Summer Of 2013—bar none.
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NINE


DOMA Theatre Company follows its smash 99-seat revival of Dreamgirls with another dreamgirl-packed Tony-winning musical, a mostly quite successful downsizing of the big-stage Broadway hit Nine.
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FATHERS AT A GAME


A pair of night-and-day different dads cheering on their teenage sons at a high school football game would seem more likely to inspire an odd-couple comedy à la Richard Dresser’s hilarious Rounding Third than an electrifyingly edge-of-your-seat thriller, but this is precisely what Trey Nichols has concocted in his one-act Fathers At A Game, now completing a brief Best Of Fringe extension following its original Hollywood Fringe run.
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BLOODY BLOODY ANDREW JACKSON


Rowdy, outrageous, exhilarating, brash, and entertaining as all get-out—Chance Theater’s Bloody Bloody Andrew Jackson is all this and more, a slice of American history as told by a wild and crazy bunch of punk rockers that will have you cheering … and send you straight to Wikipedia to separate fact from fiction re our 7th President, “Old Hickory” himself.

Created by Alex Timbers and Michael Friedman, Bloody Bloody Andrew Jackson had its 2008 premiere at L.A.’s Kirk Douglas Theater before heading first to off-Broadway, then to Broadway, and now back to Southern California where director Kari Hayter, choreographer Kelly Todd, musical director Robyn Wallace, and a cast of some of SoCal’s most exciting triple-threats have joined forces to create the Orange County Musical Theater Event of the Summer ‘13.
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WATSON AND THE DARK ART OF HARRY HOUDINI


What do you do when you’re writer-director Jaime Robledo and your play Watson: The Last Great Tale Of The Legendary Sherlock Holmes has won just about every award in the book? Elementary, my dear reader. You do what Sir Arthur Conan Doyle did after creating his mystery-solving supersleuth in A Study In Scarlet (and what Universal Pictures kept doing year after year for their own inimitable Sherlock, Basil Rathbone). You write and direct a sequel, in this case Watson And The Dark Art Of Harry Houdini, and if the results don’t match the original in sheer brilliance, Watson 2.0 does for the most part avoid the dreaded sophomore curse.
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