SOUTH PACIFIC


Inspired by the thrilling 2008 Broadway revival, and making splendid use of its gorgeous National Tour sets and costumes, Moonlight Stage Productions now brings Southern California audiences an unforgettable outdoor staging of Rodgers & Hammerstein’s South Pacific under the inspired direction of its new artistic director Steven Glaudini.
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SWEET KARMA


He was a 35-year-old physician when the Khmer Rouge took control of Cambodia, and barely escaped the holocaust that took the lives of more than a quarter of his countrymen. He was a refugee-turned-movie actor, winning an Oscar for his film—and acting—debut as real-life Cambodian journalist Dith Pran. He was a humanitarian who worked to rebuild his shattered country. And after surviving the killing fields, he met his death in the streets of Los Angeles, murdered by members of a predominantly Cambodian street gang.

This was the life—and death—of Dr. Haing S. Ngor, explored by playwright Henry Ong in the powerful Sweet Karma, now getting an exquisitely designed, imaginatively directed, and beautifully acted West Coast Premiere at the Grove Theatre Center.
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KISMET


A dozen supremely talented musical theater triple-threats and an inspired director-choreographer joined forces this past weekend to bring back the Golden Age Broadway hit Kismet, demonstrating once again that the “concert staged reading” may well be the very best way to revive forgotten musical theater gems.
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ABSOLUTELY FILTHY


For anyone who has ever wondered how the Peanuts gang might have turned out later in life, Brendan Hunt’s Absolutely Filthy now joins Bert V. Royal’s Dog Sees God in answering just that question; and though Royal’s Peanuts-As-Teens satire ends up more to my liking than Hunt’s Peanut-At-Thirty parody, it’s easy to understand why Absolutely Filthy became such a hit for Sacred Fools that they brought it back for five performances at the Hollywood Fringe Festival.
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THE KING AND I


Following its adults-only production of The Full Monty, Candlelight Dinner Theatre now greets the summer with an entertaining revival of the family-friendly The King And I, trimmed of a few of its songs to get the kiddies (both those in the audience and those onstage) back home at a decent bedtime.
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STEEL MAGNOLIAS


A trio of L.A. busiest community and 99-seat theater veterans, a pair of musical theater triple-threats, and one relative newcomer to our Los Angeles stage scene join forces to bring Little Fish Theatre’s revival of Robert Harling’s Steel Magnolias to effervescent life.
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CATCH ME IF YOU CAN


Charismatic conman Frank Abagnale, Jr. is up to his old tricks again, but this time he’s doing it “Live In Living Color” as the Segerstrom Center For The Arts presents the National Tour of Catch Me If You Can, the Broadway musical adaptation of Steven Spielberg’s popular 2002 biopic, and a wow of a show it is, filled with one catchy tune after another, plenty of pizzazzy production numbers, a castful of sensational performances, and a surprising dollop of heart.
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ModRock


The city was London, the season was Summer Of ’65, and the Beatles had only recently “crossed the pond” to conquer America. Back in the UK, the Profumo Affair and its sexy instigator Christine Keeler was being splashed across British tabloids while at nearby seaside resorts, leather-clad Rockers were clashing in the streets with trendily dressed Mods.

This heady period in 20th Century English history now returns to bouncy, tuneful life in ModRock, Hagan Thomas-Jones’ dandy new jukebox musical that’s a little bit Romeo & Juliet, a little bit Grease, and a whole lot of fun.
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