Posts Tagged ‘Skylight Theatre’

NO PLACE LIKE GANDERSHEIM

A terrific cast score plenty of laughs in No Place Like Gandersheim, Elizabeth Dement’s time-traveling screwball feminist farce, but the Skylight Theatre World Premiere tries too hard to do too much for it to work the way it should.
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HOSTAGE

A Wisconsin mother visits her captive son at the height of the Iran Hostage Crisis in Michelle Kholos Brooks’ compelling, eye-opening, fact-based World Premiere drama Hostage, the latest from Skylight Theatre Company.
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THE MADRES

Playwright Stephanie Alison Walker pays tribute to the women who would not be silenced when their sons and daughters started disappearing by the thousands during the “dirty war” waged by the Argentine military dictatorship on its own citizens beginning in the mid-1970s in The Madres, another powerhouse Skylight Theatre World Premiere.
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GREY NOMAD

Married 60something fuddy-duddies meet a free-spirited couple of fellow retirees to life-changing effect in Dan Lee’s hilarious, heartwarming World Premiere comedy Grey Nomad, the latest from L.A.’s Australian Theatre Company.
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THE TRAGEDY OF JFK (AS TOLD BY WM. SHAKESPEARE)

Jackie Kennedy believed Lyndon Johnson killed her husband, and so apparently does The Bard Of Avon in The Tragedy Of JFK (as told by Wm. Shakespeare), Daniel Henning’s devilishly clever “Julius Caesar Redux,” now getting an exciting (and sure to be controversial) World Premiere at Henning’s The Blank Theatre.
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EL GRANDE CIRCUS DE COCA-COLA

Impresario extraordinario Pepe Hernandez is back, una sensacional bit of news for anyone looking for 90 minutos of nonstop hilardad. Simplemente put, El Grande Circus De Coca-Cola, now playing at the Skylight Theatre, is the funniest show you’re likely to see in todo el año de 2015.
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BULRUSHER

The power of live theater to transport an audience to another time, another place, while exploring and revealing the mysteries of the human heart, is made gorgeously, magically clear in Skylight Theatre Company and Lower Depth Theatre Ensemble’s co-production of the Los Angeles premiere of Eisa Davis’s Pulitzer Prize finalist Bulrusher.
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OPEN HOUSE


You’d think that a real estate agent’s attempts to close a deal with a house-for-sale’s sole prospective buyer would be slight stuff for a ninety-minute two-character play. Not so, if the play in question is Shem Bitterman’s Open House and the dueling protagonists brought to life by L.A. stage stars Robert Cicchini and Eve Gordon.
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