THE TOTALITY OF ALL THINGS


All hell breaks loose in an Indiana town when a swastika is found spray-painted on a classroom bulletin board celebrating the recent legalization of same-sex marriage in Erik Gernand’s The Totality Of All Things, a discussion-provoking,  expectations-defying, Road Theatre Company West Coast Premiere.

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HARRY POTTER AND THE CURSED CHILD


I’m not what you’d call a fan of the fantasy genre (though I did try to make it through the first Lord Of The Rings movie and the first Harry Potter flick), but even a fantasy curmudgeon like me found myself thoroughly dazzled and ultimately quite moved by Harry Potter And The Cursed Son, now packing them in at the Pantages.
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BARE: A POP OPERA

Mouth Bone Theatre’s revival of Damon Intrabartolo and Jon Hartmere’s Bare: A Pop Opera works better as a talent showcase for its cast of young musical theater performers than it does as a professional production of a show that’s beginning to show its age.
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THE WEDDING SINGER


There may be less than half the number of performers lighting up the stage as was the case on Broadway back in 2006, but Wisteria Theater’s stripped-down take on The Wedding Singer loses not one iota of entertainment value where the movie romcom turned Broadway musical is concerned.
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LITTLE SHOP OF HORRORS


The Nocturne Theatre and Little Shop Of Horrors prove to be a match made in musical comedy heaven as Glendale’s signature theater-in-the-round puts its own quirky, kooky, all-around fabulous stamp on the one-of-a-kind off-Broadway-to-Broadway horror musical classic.
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JANE EYRE

A Noise Within follows their spectacular reimagining of Macbeth with a solid production of Charlotte Brontë’s Jane Eyre, albeit not as effectively staged or as ideally cast as I might have wished.
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1984

Leif Gantvoort’s powerful lead performance and Danny Cistone’s ingenious production design are the chief selling points of Robo & Bash’s production of George Orwell’s dystopian classic 1984. Its tonally off first act and less accomplished supporting cast not so much.

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ONE JEWISH BOY


Is love enough to keep a couple together when one of them has been the victim of hate crime he simply can’t get past? This is the question posed by English playwright Stephen Laughton in his gut-punchingly powerful One Jewish Boy, now getting a compelling West Coast premiere at Echo Theater Company.
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