KAIJU


Playwright Dan Caffrey may have bitten off a bit more than he can chew in Kaiju, his satirical mashup of Godzilla-style creature features and pretentions/clueless post-performance talkbacks, but I so enjoyed the World Premiere comedy now playing at the Road Theatre on Magnolia that I can’t really complain.
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FRANKENSTEIN: RESURRECTION

Gothic horror isn’t really my cup of tea, but if it’s among your favorite theatrical genres, you just might find The Nocturne Theatre’s World Premiere Gothic horror musical Frankenstein: Resurrected right up your dark alley.
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A CASE FOR THE EXISTENCE OF GOD


A pair of single fathers from mirror-opposite backgrounds bond against all odds over parenthood, financial challenges, and a shared “specific kind of sadness” in Samuel D. Hunter’s deeply moving two-hander, A Case For The Existence Of God, the fifth of Hunter’s 15 “Idaho Plays” to get a pitch-perfect Los Angeles Premiere at Rogue Machine Theatre.
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CATCH ME IF YOU CAN


Teen con artist Frank Abagnale, Jr. is back in action and once again scamming his way across the country in the Colony Theatre’s exuberant, crowd-pleasing revival of the 2011 Broadway musical based on Steven Spielberg’s popular 2002 biopic.
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MARISOL

I can’t fault the talent that’s gone into bringing Open Fist Theatre’s revival of José Rivera’s Obie-winning Marisol to nightmarish life, but I found the Puerto Rican playwright’s vision of a dystopian New York City under siege almost as torturous to sit through as the unrelenting, apocalyptic horrors its titular heroine has to endure in scene after excruciating scene.
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TEXAS SODOMY

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“There’s a black man with a gun in Apartment 833 of the Colorado Club Apartments acting crazy.” It’s that single brief 911 phone call that sets the ball rolling in Texas Sodomy, Howard Skora’s wildly entertaining, fact-based look back at the second-most groundbreaking Supreme Court decision in LGBTQ+ history.
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