THE PEOPLE OF POMPEII

All bets are off when a sextet of native and transplanted Topangans get together for a couples’ dinner in the aftermath of the Palisades Fire in Bernardo Cubría’s The People Of Pompeii, as laugh-out-loud funny as it is deeply perceptive of the political, economic, and social divides that polarize us and the humanity that binds us together.
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THE ARSONISTS

Max Frisch’s 1950s absurdist gem The Arsonists gets a strikingly staged and marvelously performed 21st-century update at the Skylight Theatre that welcomes to the L.A. theater scene an exciting new collective appropriately called The Firebugs.
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PERICLES


Ten strangers seeking refuge from a storm in a disaster relief center find much in common with their displaced Shakespearean counterparts in Boston Court Pasadena’s thrillingly inventive staging of Ellen McLaughlin’s modern verse translation of Pericles.
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GREEN CORRIDORS

Natalka Vorozhbyt’s Green Corridors, a series of vignettes revolving around four Ukrainian women fleeing their war-torn land, works better as a showcase for City Garage’s unique style and sensibility than as a play for those who prefer more traditional linear realism to existential dreamscape theater.
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ENEMY OF THE PEOPLE


Tests that reveal contaminated water in the local hot springs pose an existential threat to townspeople whose livelihoods depend on tourist dollars in Bart DeLorenzo’s electrifying contemporary adaptation of Henrik Ibsen’s ahead-of-its-times 1882 shocker Enemy Of The People.
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TREASURE ISLAND

Dialog scenes get bogged down in nautical jargon, 18th-century slang, and outdated grammar, much of it unintelligible to 21st-century ears, but whenever action sequences take over, Theatricum Botanicum audiences are treated to the swashbucklingest adventure story ever to unfold under Topanga skies.
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WAITING IN THE WINGS


Dames don’t get any grander than the grandes dames taking centerstage at Will Geer Theatricum Botanicum in Waiting In The Wings, Noël Coward’s charming 1960 salute to actresses of a certain age who’ve still got it in them to hold an audience spellbound.
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ROMEO AND JULIET


Casting real-life highschoolers as the world’s most iconic pair of lovestruck teens is just one reason Theatricum Botanicum’s Romeo And Juliet feels fresh and new. So is setting the classic tale of doomed adolescent lovers in Gilded Age New York.

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