PROMETHEUS BOUND

NOT RECOMMENDED

There are a number of reasons to spend a September evening out in Pacific Palisades where the Getty Villa* is presenting its annual classic theater offering, the least of which is the play itself, for despite intense, committed performances, innovative design, and a couldn’t-be-better setting, Prometheus Bound remains that most acquired of tastes, Greek Tragedy.
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SHERLOCK THROUGH THE LOOKING GLASS


The world’s greatest detective meets the author of Alice of Wonderland in Gus Krieger’s Sherlock Through The Looking Glass, the latest from The Porters Of Hellsgate, and if Krieger’s play could stand some trimming, tightening, and clarifying, topnotch performances and exciting staging combine to further solidify the Porters’ reputation as one of L.A.’s most exciting young acting troupes.
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RED

Following its six 2010 Tony wins (including Best Play), John Logan’s Red now gets its very first from-the-ground-up Los Angeles-area staging at Long Beach’s International City Theatre, and what a splendid production ICT has mounted under the astute, nuanced direction of its Artistic Director caryn desai.

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A BRIGHT ROOM CALLED DAY


Director Jeremy Lelliott works wonders with Tony Kushner’s A Bright Room Called Day, turning a play that in other hands might seem stuffy or talky or dated into an exciting, utterly relevant evening of theater.
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eve2

NOT RECOMMENDED

Playwright Susan Rubin experiments with the surreal in eve2, an avant-garde one-act that left me scratching my head in bewilderment.
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OPEN HOUSE


You’d think that a real estate agent’s attempts to close a deal with a house-for-sale’s sole prospective buyer would be slight stuff for a ninety-minute two-character play. Not so, if the play in question is Shem Bitterman’s Open House and the dueling protagonists brought to life by L.A. stage stars Robert Cicchini and Eve Gordon.
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PACK UP THE MOON

NOT RECOMMENDED

A gay couple still dealing with the sudden crib death of their adopted child decide a year later to become parents again—this time through surrogacy. Could there be a more current, hot-button topic for a world premiere play?

If only Christina Cigala’s Pack Up The Moon lived up to that promise.
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FATHERS AT A GAME


A pair of night-and-day different dads cheering on their teenage sons at a high school football game would seem more likely to inspire an odd-couple comedy à la Richard Dresser’s hilarious Rounding Third than an electrifyingly edge-of-your-seat thriller, but this is precisely what Trey Nichols has concocted in his one-act Fathers At A Game, now completing a brief Best Of Fringe extension following its original Hollywood Fringe run.
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