TIME STANDS STILL


A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, now getting a superb Orange County Premiere at Anaheim’s Chance Theater with crackerjack director Marya Mazor assuredly at the helm.
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THE NORMAL HEART


Larry Kramer’s landmark drama The Normal Heart gets its first L.A. staging in nearly two decades, and tough as it may be to revisit the earliest days of the AIDS epidemic, this absolutely brilliant production is one that no Los Angeles theater lover should miss, and the younger the audience the better.
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THE LION IN WINTER


It’s a classic nighttime soap, that is if Dallas or Dynasty had been set in 12th-Century England. It’s a Shakespeare history, that is if you could understand every word the actors are saying. It’s a 1960s film classic that won Katharine Hepburn the third of her four Best Actress Oscars.

It’s Peter Goldman’s Broadway flop play-turned-Hollywood hit movie, and if (as Wikipedia puts it rather ungrammatically) “The Lion in Winter is fictional and none of the dialogue and actions is historical,” it still makes for one of modern American theater’s most entertaining dramas and offers actors some of the meatiest roles of their careers—proof of which is now onstage at the Sierra Madre Playhouse.
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THE END OF IT

RECOMMENDED
A 50ish couple (or is it three?) confront the dissolution of a twenty-year relationship in Paul Coates’ The End Of It, a World Premiere production elevated above a too generic script by sensational direction, fine acting, and one humdinger of a gimmick.
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BREATH AND IMAGINATION: THE STORY OF ROLAND HAYES


Before there was Paul Robeson, before there was Marian Anderson, a young man ten years their junior became the first African-American to achieve worldwide acclaim on the concert stages of the United States and Europe.

It is this lesser-known music—and civil rights—pioneer that playwright Daniel Beaty brings to vibrant, compelling life in his “play with music” Breath And Imagination: The Story Of Roland Hayes, now being given a pitch-perfect West Coast Premiere at Burbank’s Colony Theatre under the inspired direction of Saundra McClain.
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DEATH OF A SALESMAN


What better way for South Coast Repertory to open its 50th Anniversary season than with what many consider the finest play of the 20th Century, Arthur Miller’s Pulitzer Prize-winning Death Of A Salesman, and to do so with a twist—by casting the Lomans as an African-American family.
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THE DREAM OF THE BURNING BOY


There are as many shades of grief as there are survivors in David West Read’s powerful The Dream Of The Burning Boy, now getting its West Coast Premiere at Malibu Playhouse in a production that easily rivals the best of L.A.’s higher-profile 99-seat houses.
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PROMETHEUS BOUND

NOT RECOMMENDED

There are a number of reasons to spend a September evening out in Pacific Palisades where the Getty Villa* is presenting its annual classic theater offering, the least of which is the play itself, for despite intense, committed performances, innovative design, and a couldn’t-be-better setting, Prometheus Bound remains that most acquired of tastes, Greek Tragedy.
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