THE END OF IT
Friday, September 27th, 2013RECOMMENDED
A 50ish couple (or is it three?) confront the dissolution of a twenty-year relationship in Paul Coates’ The End Of It, a World Premiere production elevated above a too generic script by sensational direction, fine acting, and one humdinger of a gimmick.
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BREATH AND IMAGINATION: THE STORY OF ROLAND HAYES
Friday, September 20th, 2013
Before there was Paul Robeson, before there was Marian Anderson, a young man ten years their junior became the first African-American to achieve worldwide acclaim on the concert stages of the United States and Europe.
It is this lesser-known music—and civil rights—pioneer that playwright Daniel Beaty brings to vibrant, compelling life in his “play with music” Breath And Imagination: The Story Of Roland Hayes, now being given a pitch-perfect West Coast Premiere at Burbank’s Colony Theatre under the inspired direction of Saundra McClain.
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DEATH OF A SALESMAN
Monday, September 9th, 2013
What better way for South Coast Repertory to open its 50th Anniversary season than with what many consider the finest play of the 20th Century, Arthur Miller’s Pulitzer Prize-winning Death Of A Salesman, and to do so with a twist—by casting the Lomans as an African-American family.
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THE DREAM OF THE BURNING BOY
Friday, September 6th, 2013
There are as many shades of grief as there are survivors in David West Read’s powerful The Dream Of The Burning Boy, now getting its West Coast Premiere at Malibu Playhouse in a production that easily rivals the best of L.A.’s higher-profile 99-seat houses.
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PROMETHEUS BOUND
Thursday, September 5th, 2013NOT RECOMMENDED
There are a number of reasons to spend a September evening out in Pacific Palisades where the Getty Villa* is presenting its annual classic theater offering, the least of which is the play itself, for despite intense, committed performances, innovative design, and a couldn’t-be-better setting, Prometheus Bound remains that most acquired of tastes, Greek Tragedy.
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SHERLOCK THROUGH THE LOOKING GLASS
Monday, September 2nd, 2013
The world’s greatest detective meets the author of Alice of Wonderland in Gus Krieger’s Sherlock Through The Looking Glass, the latest from The Porters Of Hellsgate, and if Krieger’s play could stand some trimming, tightening, and clarifying, topnotch performances and exciting staging combine to further solidify the Porters’ reputation as one of L.A.’s most exciting young acting troupes.
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RED
Sunday, August 25th, 2013
Following its six 2010 Tony wins (including Best Play), John Logan’s Red now gets its very first from-the-ground-up Los Angeles-area staging at Long Beach’s International City Theatre, and what a splendid production ICT has mounted under the astute, nuanced direction of its Artistic Director caryn desai.
A BRIGHT ROOM CALLED DAY
Monday, August 19th, 2013
Director Jeremy Lelliott works wonders with Tony Kushner’s A Bright Room Called Day, turning a play that in other hands might seem stuffy or talky or dated into an exciting, utterly relevant evening of theater.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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