SWEET KARMA


He was a 35-year-old physician when the Khmer Rouge took control of Cambodia, and barely escaped the holocaust that took the lives of more than a quarter of his countrymen. He was a refugee-turned-movie actor, winning an Oscar for his film—and acting—debut as real-life Cambodian journalist Dith Pran. He was a humanitarian who worked to rebuild his shattered country. And after surviving the killing fields, he met his death in the streets of Los Angeles, murdered by members of a predominantly Cambodian street gang.

This was the life—and death—of Dr. Haing S. Ngor, explored by playwright Henry Ong in the powerful Sweet Karma, now getting an exquisitely designed, imaginatively directed, and beautifully acted West Coast Premiere at the Grove Theatre Center.
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THE BONEYARD AND TALISMAN

NOT RECOMMENDED

There’s no L.A. actress whose work I enjoy seeing more than Elephant Theatre Company’s Kate Huffman. Elephant artistic director David Fofi is one of the consistently finest directors in town. Timothy McNeil’s Supernova was singled out for a Scenie as one of The Twelve Best Plays Of The Year and McNeil’s performance in The Little Flower Of East Orange won him a Best Lead Actor Scenie. That’s why it’s disappointing to report that their latest collaboration as star, director, and writer/star of the pair of one-acts entitled The Boneyard and Talisman ended up not this reviewer’s cup of tea despite three excellent performances and Fofi’s sharp direction.
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REVOLVER

RECOMMENDED

A gay man seeking vengeance on the bashers who killed his first love years before. Jesus dancing a tango in heaven with the disciple whose betrayal led to his death on the cross. A closeted mega-rich movie star and the openly gay starving actor who was once his one true love. Antagonistic friends of a recently od’ed crystal meth addict sorting through his things. An angry gay activist being interviewed by a young journalist who idolizes him. A murdered gay man and one of his killers meeting once again in heaven.
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DYING CITY


A young man’s unannounced arrival at the New York apartment of his deceased twin brother’s widow triggers the gradual revelation of three lifetimes’ worth of secrets and lies in Christopher Shinn’s Dying City, now getting a compelling, beautifully acted and directed Los Angeles premiere at Rogue Machine.
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FOOL FOR LOVE

RECOMMENDED
Powerful performances by Chad Doreck and Lauren Plaxco make the Gloria Gifford-directed revival of Sam Shepard’s overwrought one-act Fool For Love now playing at T.U. Studios worth checking out.
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OTHER DESERT CITIES


The continental divide that has polarized America into mud-slinging camps of liberals vs. conservatives over the past few decades takes on a personal, familial note in Jon Robin Baitz’s Other Desert Cities, one of the best written, most thought-provoking, and ultimately most moving plays of the last decade, now getting a superb San Diego premiere at The Old Globe.
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THE CRUCIBLE


Arthur Miller’s dramatization of the Salem witch trials has rarely if ever seemed as timeless or proven as powerful as it does in The Antaeus Company’s stunning new revival of the 1953 classic The Crucible, brilliantly directed by Armin Shimerman and Geoffrey Wade.
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COPS AND FRIENDS OF COPS


A man walks into a bar and all hell breaks loose in Ron Klier’s edge-of-your-seat World Premiere suspense thriller Cops And Friends Of Cops, the latest offering from VS. Theatre Company and one that suits their spiffy new Mid-City space to a T.
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