PHOTOGRAPH 51

Playwright Anna Ziegler shines a revelatory light on a hitherto hidden figure in the discovery of DNA’s double helix structure in Photograph 51, the latest from South Coast Rep.
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FRIENDS WITH GUNS

Can a “take ‘em all away” couple have Friends With Guns? Playwright Stephanie Alison Walker poses this provocative question in the button-pushing World Premiere latest from the Road Theatre Company on Magnolia.
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BLACK SUPER HERO MAGIC MAMA

Playwright Inda Craig-Galván puts a personal face on a national epidemic in Black Super Hero Magic Mama, a Geffen Playhouse that scores points for originality provided you’re a fan of Marvel/DC blockbusters.
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FOR THE LOVE OF (OR, THE ROLLER DERBY PLAY)

With director Rhonda Kohl choreographing like you’ve never seen a play choreographed before, it’s perhaps no wonder CTG picked Theatre Of NOTE’s For The Love Of (Or, The Roller Derby Play) to open year’s Block Party at the Kirk Douglas despite its overly familiar coming-of-age love story and a two-and-a-half-hour running time that could stand some significant snips.
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CANYON

Memories of the way we were pre-Election 2016 ignite Jonathan Caren’s Canyon, the explosive latest from IAMA Theatre Company, Latino Theater Company, and the playwright who gave IAMA its much-awarded The Recommendation a half-dozen or so years back.
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THE JUDAS KISS

What he did for love. What he sacrificed for love. What he suffered for love. Playwright David Hare asks audiences to ponder whether Oscar Wilde’s unconditional devotion to Lord Alfred Douglas was worth the years of pain he endured in The Judas Kiss, the powerful, provocative latest from The Theatre @ Boston Court.
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THE MOUNTAINTOP

America’s greatest civil rights leader spends the last night of his life with a sultry, saucy motel maid in Katori Hall’s The Mountaintop, a concept likely to rile those who prefer to remember Dr. Martin Luther King as a sin-and-vice-free saint, but one that makes for gripping, thought-provoking dramatic sparks at the Garry Marshall Theatre just in time for Black History Month 2019.
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LAST CALL

Anne Kenney is hardly the first writer to tackle the issues confronting adult children of aging parents but her theatrical debut, Last Call, an Open Fist Theatre Company World Premiere, is as perceptive and powerful as family dramas get.
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