SUCKER PUNCH

South London accents either too thick to be understood or virtually non-existent along with loads of British slang prove detrimental to Coeurage Theatre Company’s site-specific West Coast Premiere of Roy Williams’ Sucker Punch. So do view-blocking sight lines for certain audience members squeezed into the Tiger Boxing Gym just off Melrose.
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THE END OF BEAUTY

Musings on art and beauty serve as an intellectual prelude to a provocative look at a marriage in crisis in Cory Hinkle’s The End Of Beauty, the latest Playwrights’ Arena World Premiere.
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THE CHRISTIANS

A bombshell announcement dropped one Sunday morning by the pastor of a major American megachurch threatens the future of the institution he has spent years building into mega-proportions in Lucas Hnath’s extraordinary 2014 drama The Christians, now getting a superb L.A.-cast production at Actors Co-op.
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BE A GOOD LITTLE WIDOW

Life presents unexpected challenges to a newlywed bride in Bekah Brunstetter’s gut-puncher of a dramedy Be A Good Little Widow, a particularly fine visiting production at West L.A.’s Odyssey Theatre.

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M. BUTTERFLY

Victor/Victoria’s gender-bending trickery pales in comparison to the deception perpetrated on M. Butterfly’s Rene Gallimard in David Henry Hwang’s 1988 Best Play Tony-winning rumination on race, gender, and sexuality, whose 2017 Broadway-revival rewrite now burns up the South Coast Repertory stage with two of the most powerful lead performances in town.
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ANNA IN THE TROPICS

Life imitates art as Leo Tolstoy’s Anna Karenina inflames dormant passions amongst Cuban emigres in Nilo Cruz’s Pulitzer Prize-winning Anna Of The Tropics, an Open Fist Theatre Company triumph.
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THE PRICE

Arthur Miller was still going strong when The Price made its Broadway debut two decades after All My Sons and Death Of A Salesman made him a Broadway household name, and if his 1968 family drama isn’t in quite the same league as those two 20th-century masterpieces, it still makes for powerful, thought-provoking drama on the International City Theatre stage.
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SKYLIGHT

Skylight, David Hare’s postmortem look at an adulterous couple’s unexpected reunion, gets a terrific 24th-anniversary Chance Theater revival under Oanh Nguyen’s incisive direction.
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