Posts Tagged ‘William Shakespeare’
HENRY IV, PART ONE
Friday, March 20th, 2015
Outstanding performances and a stylish contemporary design distinguish The Antaeus Company’s 2015 season opener, William Shakespeare’s Henry IV, Part One. A hefty three-hour running time may test the patience of those for whom “90 Minutes No intermission” are the sweetest four words ever heard, but Bard fans will definitely feel they’ve gotten their money’s worth with this one.
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THE TEMPEST
Wednesday, September 10th, 2014
Illusions so mystifying that you’ll give up even trying to figure out “how they did that.” Original songs by a Rock-&-Roll Hall of Famer performed by a live R&B/Alternative Pop band. Direction that makes adjectives like “imaginative” or “ingenious” or “inspired” seem tame. Performances and production design to match. All of these combine to make Aaron Posner and Teller’s touring adaptation of William Shakespeare’s The Tempest a must-see even for those might never wish to sit through another The Tempest again.
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A MIDSUMMER NIGHT’S DREAM
Saturday, August 16th, 2014
No set, no frills, the original script cut by more than half, and abundant imagination and flair add up to quite possibly the shortest and without a doubt one of the most entertaining Midsummer Night’s Dreams in the four-hundred-twenty or so years since those foolish mortals first ventured into the woods, sixty-five minutes of madcap Midsummer 2014 magic courtesy of Zombie Joe’s Underground Theatre Group.
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LEAR
Sunday, August 10th, 2014
A Queen with three sons, two of them ungrateful jerks wed to a pair of domineering Duchesses. An Earl with two daughters, one of them illegitimate and a conniver to boot. Meet Shakespeare Through The Looking Glass as Will Geer’s Theatricum Botanicum debuts its uniquely intriguing, exquisitely acted, gender-bending take on Shakespeare’s King Lear, retitled simply Lear, directed by and starring Ellen Geer as Queen Lear and Melora Marshall as her Fool.
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ANDRONICUS
Saturday, July 26th, 2014
”14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism” is how critic S. Mark Hulse sums up William Shakespeare’s vengeance-fueled Titus Andronicus, and Coeurage Theatre Company gives us each and every one of the above in a mere two hours (including intermission) in Jeremy Lelliott’s exhilarating new adaptation of Shakespeare’s contribution to the “revenge play” genre, redubbed Andronicus to befit this leaner, zippier incarnation of the 16th-Century classic.
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MACBETH
Saturday, April 26th, 2014RECOMMENDED
Elijah Alexander and Jules Willcox deliver powerhouse performances as Macbeth and his Lady as A Noise Within presents its latest excursion into Shakespeare territory. By contrast, Larry Carpenter’s direction proves considerably less impressive.
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PERICLES, PRINCE OF TYRE
Friday, November 1st, 2013
Following in the footsteps of last year’s award-winning Cymbeline, A Noise Within returns for a new season of classical theater with one more of Shakespeare’s “problem plays,” once again prompting the question, “What on earth could the so-called ‘problem’ be?” when the play in question yields results as magical as these?
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RII
Thursday, October 10th, 2013
William Shakespeare. The Theatre @ Boston Court. Two names you wouldn’t normally expect to see in the same sentence let alone in the first paragraph of a review. But wonder of wonders, Boston Court is currently wowing an audience of Shakespeare buffs and T@BC regulars with its very own version of Richard II, one they’ve redubbed RII if only to let the world know that, just as Boston Court isn’t your grandparents’ theater, this isn’t your grandparents’ Richard II—not by a long shot.
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