Posts Tagged ‘William Shakespeare’

MACBETH

Macbeth in sixty minutes. What sweeter words are there to those for whom Shakespeare is a taste not quite acquired (or those with only an hour to spare), especially when it’s Zombie Joe’s Underground Theatre Group’s Macbeth, adapted and directed by Denise Devin. Now, that’s my way to see The Scottish Play (or Playlet as the case may be).
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JULIUS CAESAR

When staging Shakespeare for a contemporary audience who’s seen each of the Bard’s plays a gazillion times, it all comes down to acting, design, and execution, and A Noise Within scores three for three in their Spring 2015 season production of Julius Caesar.
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HENRY IV, PART ONE

Outstanding performances and a stylish contemporary design distinguish The Antaeus Company’s 2015 season opener, William Shakespeare’s Henry IV, Part One. A hefty three-hour running time may test the patience of those for whom “90 Minutes No intermission” are the sweetest four words ever heard, but Bard fans will definitely feel they’ve gotten their money’s worth with this one.
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THE TEMPEST

Illusions so mystifying that you’ll give up even trying to figure out “how they did that.” Original songs by a Rock-&-Roll Hall of Famer performed by a live R&B/Alternative Pop band. Direction that makes adjectives like “imaginative” or “ingenious” or “inspired” seem tame. Performances and production design to match. All of these combine to make Aaron Posner and Teller’s touring adaptation of William Shakespeare’s The Tempest a must-see even for those might never wish to sit through another The Tempest again.
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A MIDSUMMER NIGHT’S DREAM

No set, no frills, the original script cut by more than half, and abundant imagination and flair add up to quite possibly the shortest and without a doubt one of the most entertaining Midsummer Night’s Dreams in the four-hundred-twenty or so years since those foolish mortals first ventured into the woods, sixty-five minutes of madcap Midsummer 2014 magic courtesy of Zombie Joe’s Underground Theatre Group.
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LEAR

A Queen with three sons, two of them ungrateful jerks wed to a pair of domineering Duchesses. An Earl with two daughters, one of them illegitimate and a conniver to boot. Meet Shakespeare Through The Looking Glass as Will Geer’s Theatricum Botanicum debuts its uniquely intriguing, exquisitely acted, gender-bending take on Shakespeare’s King Lear, retitled simply Lear, directed by and starring Ellen Geer as Queen Lear and Melora Marshall as her Fool.
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ANDRONICUS

”14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism” is how critic S. Mark Hulse sums up William Shakespeare’s vengeance-fueled Titus Andronicus, and Coeurage Theatre Company gives us each and every one of the above in a mere two hours (including intermission) in Jeremy Lelliott’s exhilarating new adaptation of Shakespeare’s contribution to the “revenge play” genre, redubbed Andronicus to befit this leaner, zippier incarnation of the 16th-Century classic.
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MACBETH

RECOMMENDED

Elijah Alexander and Jules Willcox deliver powerhouse performances as Macbeth and his Lady as A Noise Within presents its latest excursion into Shakespeare territory. By contrast, Larry Carpenter’s direction proves considerably less impressive.
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