Posts Tagged ‘The Antaeus Company’
PICNIC
Sunday, June 28th, 2015
A hot-and-sexy college football star turned ne’er-do-well drifter arrives in a sleepy Midwest town circa 1952 and the lives of one family and their friends will never be the same again in William Inge’s American classic Picnic, now being given a pitch-perfect partner-cast revival by The Antaeus Company.
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HENRY IV, PART ONE
Friday, March 20th, 2015
Outstanding performances and a stylish contemporary design distinguish The Antaeus Company’s 2015 season opener, William Shakespeare’s Henry IV, Part One. A hefty three-hour running time may test the patience of those for whom “90 Minutes No intermission” are the sweetest four words ever heard, but Bard fans will definitely feel they’ve gotten their money’s worth with this one.
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WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE (Sweet Potatoes)
Sunday, November 2nd, 2014
If any great production is worth experiencing twice, any great Antaeus Company production (and so far just about everything Antaeus has done fits neatly into that category) is even more worth that second visit if only to experience the added excitement of seeing each and every role played by a brand new actor (courtesy of the Antaeus custom of “partner casting”).
A second visit to Alice Childress’s Wedding Band: A Love/Hate Story In Black And White (click here for my original review) proves equally as rewarding as the first—and the “Sweet Potatoes” every bit as brilliant as the “Honey Bunches”—albeit with often quite distinctive looks and equally diverse takes on the multifaceted roles Childress has written for them.
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WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE
Sunday, October 19th, 2014
A World War I-era interracial love story seen through a 1960s Civil Rights Movement lens gets revived for 21st Century audiences as The Antaeus Company presents Alice Childress’s Wedding Band: A Love/Hate Story In Black And White, a compelling, thought-provoking look at how things were, how they have changed, and how much remains the same.
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THE CURSE OF OEDIPUS
Saturday, July 5th, 2014
Spending time with the Ancients has rarely if ever been as exhilarating as it is in Kenneth Cavander’s The Curse Of Oedipus, an Antaeus Company World Premiere which proves that even the deadly dullest of theatrical genres, Greek Tragedy, can end up the opposite of boring when given fresh new life by the right creative team.
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TOP GIRLS
Sunday, March 16th, 2014
English playwright Caryl Churchill examines what it takes to be a “top girl” in the dog-eat-dog world we call business in her challenging, thought-provoking 1982 drama Top Girls, the terrific latest from The Antaeus Company and a tailor-made showcase for a baker’s dozen of L.A.’s finest working actresses.
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THE LIAR
Monday, October 14th, 2013
Silliness has rarely been cleverer or cleverness sillier than in David Ives’ translation/adaptation of Pierre Corneille’s 1644 comedy The Liar, The Antaeus Company’s end-of-season offering and quite possibly the classical theater masters’ frothiest romp ever.
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THE CRUCIBLE
Saturday, May 18th, 2013
Arthur Miller’s dramatization of the Salem witch trials has rarely if ever seemed as timeless or proven as powerful as it does in The Antaeus Company’s stunning new revival of the 1953 classic The Crucible, brilliantly directed by Armin Shimerman and Geoffrey Wade.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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