Posts Tagged ‘The Antaeus Company’

THE HOTHOUSE

The nuts are running the nuthouse in the darkly comedic, rarely performed Harold Pinter gem that is the latest from Antaeus Theatre Company, written when Pinter was a mere twenty-seven but shelved till he turned fifty, and perhaps more than any other partner-cast Antaeus gem before it, one that truly merits a second visit.
(read more)

LES LIAISONS DANGEREUSES

Decadence and deception prove downright delicious in The Antaeus Theatre Company’s pitch-perfectly partner-cast Les Liaisons Dangereuses, Christopher Hampton’s 1985 stage adaptation of the 18th-century French literary classic directed with supreme flair by Robin Larsen.
(read more)

AS YOU LIKE IT

The Antaeus Company transports lovers, philosophers, fools, royals, and audiences into the woods as Antaeus likes it, that is to say with two equally terrific casts bringing William Shakespeare’s As You Like It to magical, mystical, mesmerizing life.
(read more)

CAT ON A HOT TIN ROOF

Cameron Watson directs two equally sensational ensembles in Antaeus Theatre Company’s pitch-perfect intimate revival of Tennessee Williams’ Cat On A Hot Tin Roof, not only one of the finest productions now playing around town but (sound the trumpets!) the very first to grace the brand-spanking-new Kiki & David Gindler Performing Arts Center in Beautiful Downtown Glendale.
(read more)

HEDDA GABLER

RECOMMENDED

Some of L.A.’s finest stage stars take center stage in Andrew Upton’s 2002 version of Henrik Ibsen’s Hedda Gabler, and while the age-blind casting of most of the play’s lead roles proves problematic, the Antaeus Company’s latest partner-cast revival nonetheless offers Los Angeles theatergoers some of the finest acting in town.
(read more)

CLOUD 9

Nearly four decades have passed since Cloud 9 made its West End debut, but Caryl Churchill’s comedic examination of gender and sexuality remains every bit as entertaining, as contemporary, and as downright mind-blowing in 2016 as it was in 1979, particularly as given vibrant new life by The Antaeus Company in a “partner-cast” staging that would give any Broadway revival a run for its money, albeit on a far more intimate (and infinitely more affordable) scale.
(read more)

UNCLE VANYA

You know from the moment Ilya Ilych Telegin, aka “Waffles,” starts the show off by singing and strumming along to Marvin Etzioni’s “The Mandolin Man” that The Antaeus Company’s West Coast Premiere of Annie Baker’s Drama Desk Award-winning adaptation of Anton Chekhov’s Uncle Vanya isn’t going to be like any Vanya (or perhaps any Chekhov) you’ve seen, and though I remain ambivalent about the talky Russian playwright, when the Anateus revival takes flight, it soars.
(read more)

PICNIC

A hot-and-sexy college football star turned ne’er-do-well drifter arrives in a sleepy Midwest town circa 1952 and the lives of one family and their friends will never be the same again in William Inge’s American classic Picnic, now being given a pitch-perfect partner-cast revival by The Antaeus Company.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »