Posts Tagged ‘The Antaeus Company’
EIGHT NIGHTS
Saturday, November 9th, 2019
A Holocaust survivor newly arrived in 1940s New York. An African-American couple who’ve journeyed north in the tumultuous ’60s in hopes of escaping racism down south. The Japanese-American grandson of WWII internment camp detainees circa 1988. A Syrian refugee in Trump-era America. Playwright Jennifer Maisel weaves together these characters and their interconnected stories in her decades-spanning World Premiere drama Eight Nights, an Antaeus Theatre Company triumph.
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THE ABUELAS
Tuesday, October 22nd, 2019Departing from its tradition of reviving theatrical classics, Antaeus Theatre Company opens its 2019/2020 season with the West Coast Premiere of The Abuelas, Stephanie Alison Walker’s mostly disappointing follow-up to The Madres.
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THE CAUCASIAN CHALK CIRCLE
Wednesday, July 31st, 2019
Masterfully inventive direction and a marvelously multi-talented cast work theatrical alchemy on Bertolt Brecht’s The Caucasian Chalk Circle, the latest Antaeus Theatre Company triumph.
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DIANA OF DOBSON’S
Saturday, April 20th, 2019
Minimum-Wage Worker Goes Wild On 15-Grand Inheritance.
If this sounds like the log-line for an upcoming Emma Stone romcom, think again. Playwright Cicely Hamilton came up with this one way back in 1908 when she wrote Diana Of Dobson’s, a largely forgotten frothy romp with feminist teeth now being given a splendiferous 21st-century Antaeus Theatre Company revival.
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THE CRIPPLE OF INISHMAAN
Saturday, January 26th, 2019
A stageful of stereotype-defying Irish islanders, an abundance of well-earned laughs and maybe even a tear or two thrown in for good measure are just a few of the reasons Martin McDonagh’s The Cripple Of Inishmaan at Antaeus Theatre Company adds up to one supremely satisfying (and pardon my Irish) fecking entertaining evening of L.A. theater.
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THE LITTLE FOXES
Friday, October 26th, 2018
Lillian Hellman might have written The Little Foxes in post-Depression 1939, but her tale of the Alabama Hubbard clan’s quest for even more filthy lucre hasn’t aged a day, just one reason her three-act Southern-fried melodrama makes for an especially scrumptious Antaeus Theatre Company three-course meal.
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THREE DAYS IN THE COUNTRY
Sunday, July 15th, 2018
Unrequited love has rarely been as delightful to witness as it is in Three Days In The Country, playwright Patrick Marber’s tasty new “version of” Ivan Turgenev’s considerably older (by about a hundred seventy years), longer (by an hour and a half), and stodgier (or so I’m told) A Month In The Country, and a glorious return to partner-cast form for L.A.’s crème-de-la-crème Antaeus Theatre Company.
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NATIVE SON
Saturday, April 21st, 2018Lead performances are powerhouse and production design one of the year’s most electrifying, but Richard Wright’s 20th-century classic Native Son is ill-served at Antaeus Theatre Company by Nambi E. Kelley’s 21st-century stage adaptation’s temporal zigzags, sledgehammer approach to issues of race, and the addition of a “character” not found in the original novel.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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