Posts Tagged ‘Los Angeles Theater Review’

AUGUST WILSON’S THE PIANO LESSON


To sell or not to sell. That is the question at the heart of the Pulitzer Prize-winning August Wilson’s The Piano Lesson, an October gift from A Noise Within to the playwright’s many fans, and even for those like this reviewer who’d prefer it if Wilson’s Pittsburgh Cycle decalogy didn’t run a hefty three hours each, this is easily one of his most entertaining and powerful works.
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THE IMPORTANCE OF BEING EARNEST


Inspired direction, pitch-perfect performances, and a gorgeous production design combine to make Antaeus Theatre Company’s 2024 season opener about as perfect a The Importance Of Being Earnest as any Oscar Wilde lover could wish for.
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GUYS AND DOLLS


Damon Runyon’s picturesque band of New York denizens continue to delight audiences almost seventy-five years after their Broadway debut in Altadena Music Theatre’s lively outdoor revival of the 1950 Broadway classic Guys And Dolls.
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KIMBERLY AKIMBO


It only took me only seconds to fall madly in love with Kimberly Akimbo at the Pantages. No wonder then that David Lindsay-Abaire and Jeanine Tesori’s tuneful, touching adaptation of the former’s outrageously funny, deeply moving play of the same name won five 2023 Tonys including the big one, Best Musical.
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I, DANIEL BLAKE

Brilliant performances and dazzling production design aside, Dave Johns’ unrelentingly bleak stage adaptation of I, Daniel Blake, Ken Loach’s Kafkaesque 2016 film about a good man living a British bureaucratic nightmare is the most depressing  90 minutes I’ve spent in a theater in a very long time.
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¡PASAJE!

If I were grading on good intentions alone, then J Quiroz and Asdru Sierra’s ¡Pasaje! would earn high marks. Unfortunately, this musical salute to la vida latina in South El Monte is no In The Heights.
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RENT

Jaxx Theatricals follows their Scenie-winning intimate stagings of Andrew Lippa’s Wild Party and Chess The Musical with an excitingly performed but overly choreographed revival of Jonathan Larson’s Rent.
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AMERICAN IDIOT


The Mark Taper Forum is back in business with an American Idiot revival so spectacular, the sex-drugs-and-rock-and-roll-packed musical extravaganza ought to follow in the footsteps of Deaf West’s Big River and Spring Awakening and become a Broadway must-see.
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