Posts Tagged ‘Los Angeles Theater Review’
YOU CAN’T TAKE IT WITH YOU
Sunday, March 8th, 2026
Inspired direction and an all-around fabulous cast overcome community theater design limitations in You Can’t Take It With You, the latest crowd-pleaser from Santa Monica’s now 80-year-old Morgan-Wixson Theatre.
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THE DIGNITY CIRCLE
Wednesday, March 4th, 2026
If someone offered you the chance to get rich quick and improve your self-esteem in the bargain, would you take it? That’s the question posed by playwright Lauren Smerkanich in The Dignity Circle, the provocative, entertaining latest from Theatre of NOTE.
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HONOUR
Tuesday, March 3rd, 2026A husband’s midlife crisis gives Marcia Cross and Matt Letscher the chance to show off their considerable acting chops, but Joanna Murray-Smith’s Honour, the first production to be staged in Ruskin Group Theatre’s gorgeous new home, proves a rather chilly affair given the play’s potentially fiery subject matter.
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ALL MY SONS
Monday, March 2nd, 2026
An absolutely sensational Antaeus Theatre Company cast under the inspired direction of Oanh Nguyen make it abundantly clear why many like this reviewer consider Arthur Miller’s All My Sons (and not his more celebrated and revived Death Of A Salesman) his masterwork.
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WAITING IN THE WINGS
Saturday, February 28th, 2026
The grandes dames of Whittier Community Theatre take center stage in Waiting In The Wings, Noël Coward’s charming salute to actresses of a certain age who’ve still got it in them to entertain an audience.
RICHARD III
Friday, February 27th, 2026Ann Noble delivers a tour-de-force performance in the title role, but I found Guillermo Cienfuegos’s edgy, contemporary, stunningly staged take on William Shakespeare’s Richard III hard to follow (and most of its characters hard to distinguish one from another). Then again, that just might be me and my conflicted feelings about the Bard, particularly when he is in history play mode.
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RED HARLEM
Tuesday, February 24th, 2026An intriguing truth-is-stranger-than-fiction premise (Stalin-era Soviets’ recruitment of African-American performers for a movie expose on racism in the U.S. to be shot in the USSR) and some inventively stylized staging by director Bernadette Speakes are two major pluses in Kimba Henderson’s Red Harlem. What it needs to achieve full impact is a trim.
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UNCLE VANYA
Sunday, February 22nd, 2026
Neil LaBute gives Anton Chekhov’s Uncle Vanya a more contemporary-sounding tweak in the Tony nominated playwright’s third visit to Santa Monica’s City Garage Theatre, and the result is a Vanya that even Chekhov “non-fans” like this reviewer can enjoy.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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