Posts Tagged ‘Los Angeles Theater Review’
LES MISÉRABLES
Sunday, June 1st, 2014
Jean Valjean and Inspector Javert are duking it out on the stage of the La Mirada Theatre For The Performing Arts in what may well be the L.A. musical theater production of the year as the international phenomenon that is Boublil And Schönberg’s Les Misérables gets its long-awaited Los Angeles Regional Premiere from the theater that has brought audiences spectacular big-stage productions of Seven Brides For Seven Brothers, Miss Saigon, and Peter Pan in the last two or so years alone.
(read more)
DORIAN’S DESCENT
Saturday, May 31st, 2014NOT RECOMMENDED
A quartet of stellar performers, a gifted composer/musical director, and L.A.’s costume designer du jour at his most over-the-top fabulous can’t, unfortunately, save the Oscar Wilde-based World Premiere musical Dorian’s Descent from descending into three hours’ worth of clichéd dialog and lyrics, jarring tonal shifts, and good intentions gone disastrously bad.
(read more)
DEATH OF THE AUTHOR
Friday, May 30th, 2014
An accusation of plagiarism is but the opening shot in Death Of The Author, Steven Drukman’s academia-set World Premiere drama that unfolds like an edge-of-your-seat suspense-thriller from its “gotcha” hook to the unexpectedly satisfying way Drukman manages to tie the whole thing up some ninety minutes later.
(read more)
GRUESOME PLAYGROUND INJURIES
Tuesday, May 27th, 2014
A series of Gruesome Playground Injuries (and other assorted wounds, both external and internal) provide the ties that bind two wounded souls from ages eight to thirty-eight in Rajiv Joseph’s aptly-titled Gruesome Playground Injuries, an imperfect play turned into a powerful theatrical experience thanks to the kind of superb performances, direction, and design that have become the hallmark of Rogue Machine.
(read more)
THE GONDOLIERS
Saturday, May 24th, 2014NOT RECOMMENDED
Gorgeous voices fill the stage at the Sierra Madre Playhouse but that’s about all there is to recommend in Alison Eliel-Kalmus’s adaptation of Gilbert & Sullivan’s The Gondoliers. Though G&S fans may find the production more interest-piquing than this reviewer did, SMP’s follow-up to 2012’s Ruddigore could benefit from a tighter directorial hand, less “director’s concept,” and a stricter adherence to the operetta’s original book.
(read more)
THE MUSIC MAN
Saturday, May 24th, 2014
Director-choreographer Valerie Rachelle and a couldn’t-be-better cast get everything right in Glendale Centre Theatre’s crowd-delighting revival of Meredith Willson’s 1957 classic The Music Man, an in-the-round production well worth a 76-trombone salute.
(read more)
BEIJING SPRING
Thursday, May 22nd, 2014RECOMMENDED
A sensationally talented, mostly very young cast of Asian-American triple-threats, exciting, eclectic choreography, and a story that merits retelling are the best reasons to catch East West Players’ season closer, Tim Dang and Joel Iwataki’s Beijing Spring. The musical itself, however, still needs work despite considerable revision since its 1999 World Premiere.
(read more)
I TOTALLY KNOW WHAT YOU DID LAST (DONNA) SUMMER
Saturday, May 17th, 2014
The wild-and-wacky (and wildly talented) folks who brought you Are You There, God? It’s Me, Karen Carpenter (in the Summer of 2012) and Prairie-oke! (in the Summer of ’13) are back with their latest summer spoof (and who cares that it’s still spring?), the aptly-named “new musical mash-up parody slasher musical” I Totally Know What You Did Last (Donna) Summer, and if its current Cavern Club Celebrity Theatre run is, like, totally sold-out, the good news is that it’s coming back in the Fall!
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2026 STEVEN STANLEY :: DESIGN BY