Posts Tagged ‘Los Angeles Theater Review’

RUTH DRAPER’S MONOLOGUES

Four-time Academy Award nominee Annette Bening brings her movie-star glamour and a career-long commitment to the legitimate stage to the Geffen Playhouse in Ruth Draper’s Monologues, as captivating and deliciously performed a one-woman show as you’re likely to see all year.

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COME BACK, LITTLE SHEBA

A gripping slice of contemporary Midwest life when it made its 1950 Broadway debut, William Inge’s Come Back, Little Sheba has now become a compelling period piece … and a superb 21st Century revival at A Noise Within.
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EVERYTHING YOU TOUCH

There’s no L.A. theater quite like The Theatre @ Boston Court for challenging audiences with plays that can, when things go as right as they do in Sheila Callaghan’s initially mystifying Everything You Touch, both stimulate the brain cells and touch the heart.
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GYPSY

Inland Valley Repertory Theatre continues its 2014 season midweek at Claremont’s Candlelight Pavilion with an audience-pleasing revival of one of the greatest musicals in Broadway history, Gypsy.
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RUTHLESS! THE MUSICAL

The Bad Seed met Gypsy met All About Eve met Mame met a tickled-to-death audience of musical theater lovers on Sunday as Musical Theatre Guild presented their latest, a one-night-only concert staged reading of the murderously funny cult off-Broadway spoof Ruthless! The Musical.
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‘S WONDERFUL

Take forty classic George Gershwin tunes, round up five stellar triple-threats to perform them, tie the three dozen-plus songs together into five mini-musicals with the wispiest of plots, add some snappy choreography from an up-and-coming Broadway whiz kid, back the whole thing up with a terrific seven-piece orchestra, and you’ve got ‘S Wonderful: The New Gershwin Musical, the latest charmer from Music Theatre West.
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ALTAR BOYZ

The Christian boy band known as the Altar Boyz have returned to L.A. for the first time in five years in a no-frills production that proves that even without a fancy set, pricy costumes, and surround sound, entertainment value can remain high when performances sparkle under a director as imaginative as Kristin Towers-Rowles.
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THE LAST ACT OF LILKA KADISON

The ghosts of the past return to haunt an 87-year-old Jewish widow—and to make magic in more ways than one—as the Falcon Theatre treats L.A. audiences to the West Coast Premiere of The Last Act Of Lilka Kadison, yet another gem from one of L.A.’s finest Equity houses.
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