Posts Tagged ‘Los Angeles Theater Review’
BYE BYE BIRDIE
Sunday, June 8th, 2014
Audiences out Claremont way have ample reason to “Put On A Happy Face” this month and next as Candlelight Pavilion Dinner Theatre revives the rock-n-rollin’ 1960 Broadway favorite Bye Bye Birdie, Michael Stewart’s delightful Elvis-inspired book and Charles Strouse and Lee Adams’ oh-so-memorable songs making for a crowd-pleasing evening of Golden Era musical theater.
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OTHER DESERT CITIES
Saturday, June 7th, 2014
Jon Robin Baitz’s Other Desert Cities, one of the best written, most thought-provoking, and ultimately most moving plays of the last decade, now arrives at Long Beach’s International City Theatre in a production that no lover of contemporary drama will want to miss.
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DATES AND NUTS
Friday, June 6th, 2014
Eve wants nothing more from a man than “a small commitment that will eventually turn into marriage.” Is that too much for a girl to ask?
Such is the conundrum of the 30something heroine of Dates And Nuts, Gary Lennon’s hilarious romantic comedy now getting its West Coast Premiere at Bootleg Theater nineteen years after it debuted at New York City’s now-defunct Theater Off Park.
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BACKYARD
Monday, June 2nd, 2014
Some teenagers turn to sex. Others turn to drugs. Still others turn to rock ‘n’ roll. The teenagers in Mickey Birnbaum’s violent but exhilarating Backyard turn to wrestling, and so too do the adults in their lives.
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LES MISÉRABLES
Sunday, June 1st, 2014
Jean Valjean and Inspector Javert are duking it out on the stage of the La Mirada Theatre For The Performing Arts in what may well be the L.A. musical theater production of the year as the international phenomenon that is Boublil And Schönberg’s Les Misérables gets its long-awaited Los Angeles Regional Premiere from the theater that has brought audiences spectacular big-stage productions of Seven Brides For Seven Brothers, Miss Saigon, and Peter Pan in the last two or so years alone.
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DORIAN’S DESCENT
Saturday, May 31st, 2014NOT RECOMMENDED
A quartet of stellar performers, a gifted composer/musical director, and L.A.’s costume designer du jour at his most over-the-top fabulous can’t, unfortunately, save the Oscar Wilde-based World Premiere musical Dorian’s Descent from descending into three hours’ worth of clichéd dialog and lyrics, jarring tonal shifts, and good intentions gone disastrously bad.
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DEATH OF THE AUTHOR
Friday, May 30th, 2014
An accusation of plagiarism is but the opening shot in Death Of The Author, Steven Drukman’s academia-set World Premiere drama that unfolds like an edge-of-your-seat suspense-thriller from its “gotcha” hook to the unexpectedly satisfying way Drukman manages to tie the whole thing up some ninety minutes later.
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GRUESOME PLAYGROUND INJURIES
Tuesday, May 27th, 2014
A series of Gruesome Playground Injuries (and other assorted wounds, both external and internal) provide the ties that bind two wounded souls from ages eight to thirty-eight in Rajiv Joseph’s aptly-titled Gruesome Playground Injuries, an imperfect play turned into a powerful theatrical experience thanks to the kind of superb performances, direction, and design that have become the hallmark of Rogue Machine.
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