Posts Tagged ‘Los Angeles Theater Review’

FIVE GUYS NAMED MOE

The Nate Holden Performing Arts joint is a-jumpin’—and then some—as Ebony Repertory Theatre thrills L.A. audiences with its 25th-anniversary revival of the Best Musical Tony-nominated Five Guys Named Moe, Broadway’s crowd-captivating tribute to the songs of 1940s R&B pioneer Louis Jordan.
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LUCKY STIFF

“Something Funny’s Going On” this month and next as Actors Co-op treats audiences to the delightful musical comedy bonbon that is Lynn Ahrens and Stephen Flaherty’s Lucky Stiff.
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JERSEY BOYS

Mark Ballas shows off Frankie Valli vocals to match his Dancing With The Stars footwork as Jersey Boys, the 12th-longest-running show in Broadway history, arrives at the Ahmanson Theatre to dazzle audiences with its true-life story of pop legends The Four Seasons (plus a few dozen Top Forty smashes thrown in for zing).
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NEXT TO NORMAL

Deedee Magno Hall gives a beautifully nuanced performance as bipolar wife-and-mother Diana Goodman opposite her real-life spouse Cliffton Hall’s powerful Dan Goodman in Brian Yorkey and Tom Kitt’s Next To Normal, and though the East West Players season closer doesn’t deliver on all fronts, it provides the Halls with a pair of dream roles and audiences with a moving musical look at the effects of mental illness on an all-American family.
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DRY LAND

Teagan Rose and Connor Kelly-Eiding reprise their fearless star turns in Ruby Rae Spiegel’s darkly comic, graphically disturbing Dry Land, a 2016 Echo Theater Company smash now returning to riveting, larger-sized life as the third and final offering of Center Theatre Group’s Kirk Douglas Theatre Block Party 2017.
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SPECIES NATIVE TO CALIFORNIA

Imagine if Chekhov had set The Cherry Orchard in 21st-century Mendocino County and you’ve got Dorothy Fortenberry’s Species Native To California, am IAMA Theatre Company World Premiere dramedy that proves that every good story is worth a good retelling.
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THE LYONS

Ben, Rita, Lisa, and Curtis Lyons give the Lomans, the Tyrones, and the Giddenses a run for their dysfunctional family money, albeit with considerably more laughter-provoking results in Nicky Silver’s The Lyons, the latest darkly comedic bit of brilliance from The Road Theatre Company, a Los Angeles Premiere incisively directed by Scott Alan Smith.
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ACTUALLY


We all know that “No” means “No,” but what’s a college student to think and do when the young woman with whom he thinks he’s having consensual, albeit drunken sex tells him “Actually, um…” mid-coitus?

Anna Ziegler takes this question as her point of departure in Actually, the New York playwright’s darkly comedic, compellingly dramatic look at sex, race, gender, and booze now getting a first-class co-World Premiere* production at the Geffen.
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