Posts Tagged ‘Los Angeles Theater Review’

THE LAST BREAKFAST CLUB

Imagine John Hughes’ archetypal Brain, Athlete, Basket Case, Princess, and Criminal performing twenty or so ‘80s hits to a live band inside the Shermer High School library as the only kids left in “an apocalypse of nuclear zombies” and you’ve got The Last Breakfast Club, the latest from Rockwell Table And Stage and the ab-fab first in a series of The Fuse Project musical movie spoofs.
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DOGFIGHT

It’s taken five years for Dogfight, the Louise Lortel Award-winning Outstanding Musical of 2012, to finally make it to Los Angeles proper, and praise be the gods of L.A. musical theater, Dogfight’s Hudson Mainstage debut is (to quote from one of the show’s best songs) “Nothing Short Of Wonderful.”
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SEPARATE TABLES

Following their superb 2014 revival of Terence Rattigan’s WWII-era Flare Path, Theatre 40 returns to Rattigan territory with a less successful Separate Tables, the mid-twentieth-century English playwright’s pair of one-acts whose second half crosses the line from period piece to uncomfortably dated.
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LETTERS TO EVE

A young Japanese-American couple fall in love in a WWII relocation center as an African-American jazz musician imprisoned in a Nazi death camp falls for a Jewish inmate in Letters To Eve, an ambitious new musical by Daniel Sugimoto whose reach ultimately exceeds its grasp despite some effective moments, performances, and songs.
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ANNIE GET YOUR GUN

Glendale Centre Theatre once again does what it does best—revive classic Broadway musicals in-the-round—with Irving Berlin’s Annie Get Your Gun, the song-and-dance tale of legendary 1880s “cham-peen” sharpshooter Annie Oakley.
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KISS

You must remember this. A kiss is not always just a kiss, or at least not in Guillermo Calderón’s compelling, confounding vision of life and love and death in today’s Syria, the appropriately—or metaphorically—titled Kiss, now being given a never-less-than-daring Odyssey Theatre Ensemble West Coast Premiere.
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DINNER WITH FRIENDS

“The thing is, you never know what couples are like when they’re alone; you never do.”

This bit of wisdom is just one reason why Donald Margulies’ Dinner With Friends still packs a punch at Little Fish Theatre seventeen years after it won its playwright the 2000 Pulitzer Prize for Drama.
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ELEVATOR

Get ready for the Elevator ride of the year as Michael Leoni’s gripping, emotion-packed dramedy-in-a-lift returns to West Hollywood seven years after its eleven-month smash run had audiences coming back for more of its crowd-pleasing blend of excitement, laughter, and tears, not to mention one unexpected twist after another.
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