Posts Tagged ‘Los Angeles Theater Review’
LES BLANCS
Wednesday, June 7th, 2017
Mid-20th-century colonial Africa serves as a metaphor for the then ongoing American civil rights movement in Lorraine Hansberry’s rarely produced posthumous epic Les Blancs, a Rogue Machine revival that transcends the play’s inherent didacticism to electrifying effect.
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HOLD THESE TRUTHS
Monday, June 5th, 2017
The time could not be riper for Jeanne Sakata’s Hold These Truths to make its powerful, compelling, inspiring Pasadena Playhouse debut, the extraordinary tale of one American’s fight for his inalienable rights at a time when his own government wished to deny them.
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THE LAST BREAKFAST CLUB
Sunday, June 4th, 2017
Imagine John Hughes’ archetypal Brain, Athlete, Basket Case, Princess, and Criminal performing twenty or so ‘80s hits to a live band inside the Shermer High School library as the only kids left in “an apocalypse of nuclear zombies” and you’ve got The Last Breakfast Club, the latest from Rockwell Table And Stage and the ab-fab first in a series of The Fuse Project musical movie spoofs.
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DOGFIGHT
Saturday, June 3rd, 2017
It’s taken five years for Dogfight, the Louise Lortel Award-winning Outstanding Musical of 2012, to finally make it to Los Angeles proper, and praise be the gods of L.A. musical theater, Dogfight’s Hudson Mainstage debut is (to quote from one of the show’s best songs) “Nothing Short Of Wonderful.”
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SEPARATE TABLES
Friday, June 2nd, 2017Following their superb 2014 revival of Terence Rattigan’s WWII-era Flare Path, Theatre 40 returns to Rattigan territory with a less successful Separate Tables, the mid-twentieth-century English playwright’s pair of one-acts whose second half crosses the line from period piece to uncomfortably dated.
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LETTERS TO EVE
Monday, May 29th, 2017A young Japanese-American couple fall in love in a WWII relocation center as an African-American jazz musician imprisoned in a Nazi death camp falls for a Jewish inmate in Letters To Eve, an ambitious new musical by Daniel Sugimoto whose reach ultimately exceeds its grasp despite some effective moments, performances, and songs.
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ANNIE GET YOUR GUN
Saturday, May 27th, 2017Glendale Centre Theatre once again does what it does best—revive classic Broadway musicals in-the-round—with Irving Berlin’s Annie Get Your Gun, the song-and-dance tale of legendary 1880s “cham-peen” sharpshooter Annie Oakley.
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KISS
Friday, May 26th, 2017
You must remember this. A kiss is not always just a kiss, or at least not in Guillermo Calderón’s compelling, confounding vision of life and love and death in today’s Syria, the appropriately—or metaphorically—titled Kiss, now being given a never-less-than-daring Odyssey Theatre Ensemble West Coast Premiere.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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