Posts Tagged ‘Los Angeles Theater Review’
FEFU AND HER FRIENDS
Wednesday, May 10th, 2017If, as Shakespeare put it, the play’s the thing, then I must confess that Maria Irene Fornés’s avant-garde Fefu And Her Friends is not my thing, that is unless it happens to performed inside (and in the gardens of) the architectural masterpiece that is Frank Lloyd Wright’s Hollyhock House. For its one-of-a-kind setting alone, Hollyhock Fefu merits attention (if not absolute affection).
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ARCHDUKE
Wednesday, May 10th, 2017
Leave it to playwright Rajiv Joseph to turn the assassination of Archduke Franz Ferdinand at Sarajevo, the event that led directly to the outbreak of the First World War, into Archduke, not only the year’s screwballsiest comedy but one with contemporary relevance in a world of suicide bombers and suicide voters.
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FARRAGUT NORTH
Monday, May 8th, 2017
Farragut North, Beau Willimon’s riveting look at the behind-the-scenes maneuverings and back-stabbings of a Presidential primary campaign, a Geffen Playhouse hit just months after the first Obama win, now gets a solid Odyssey Theatre guest production with a far different man in the White House.
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THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE
Monday, May 8th, 2017
A disowned playwright embarks on a quest to uncover his dysfunctional family’s long-buried truths in Dan O’Brien’s powerful, poetic autobiographical memory play The House In Scarsdale: A Memoir For The Stage, now being given a superbly acted, directed, and designed World Premiere Production at The Theatre @ Boston Court.
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HELLO AGAIN
Saturday, May 6th, 2017
Sex × 10 + book, music, & lyrics by Michael John LaChiusa’s = Hello Again, LaChiusa’s edgy, seductive, unapologetically unhummable chamber musical adaptation of Arthur Schnitzler’s 1897 classic La Ronde, the stellarly cast, terrifically performed, audience-challenging latest from Chromolume Theatre.
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OF MICE AND MEN
Friday, May 5th, 2017
Spencer Cantrell and Gregory Crafts give riveting performances as migrant farm workers George and Lenny in Theatre Unleashed’s intimate revival of John Steinbeck’s classic tale of human loneliness and impossible dreams, the 20th-century classic Of Mice And Men.
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HAROLD AND MAUDE
Monday, May 1st, 2017The strokes of inspiration that made last year’s Private Eyes one of Morgan-Wixson Theatre’s best are occasionally evident in Colin Higgins’ Harold And Maud, but this time around director Brandon Baer is hampered by casting missteps, pacing problems, and a stage too cavernous for the inventive look he and his design team have conceived.
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THE MUSIC MAN
Saturday, April 29th, 2017
Palos Verdes Performing Arts scores a musical comedy bulls-eye with their big-stage, up-close-and-personal revival of Meredith Willson’s 1957 classic The Music Man, the all-around best of the half-dozen Music Men I’ve seen so far.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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