Posts Tagged ‘Los Angeles Theater Review’

TENNESSEE WILLIAMS UnSCRIPTED

Things get as hot and steamy as an Everglades swamp (and as hilarious as only the improv geniuses of Impro Theatre can make them) in Tennessee Williams UnScripted, the troupe’s fourth visit to Garry Marshall’s Falcon Theatre.
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BIG SKY

Neil Simon meets Euripides in Alexandra Gersten-Vassilaros’s Big Sky, a Geffen Playhouse World Premiere that ends up far more than simply the one-liner-packed comedic romp its first act would lead you to expect.
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A THORN IN THE FAMILY PAW

Life’s many obstacles prove no match for the ties that bind—promises, responsibilities, guilt, laughter, and above all love—in Garry Michael Kluger’s heart-and-humor-filled A Thorn In The Family Paw, a Theatre West World Premiere that already feels like a contemporary classic.
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VANYA AND SONIA AND MASHA AND SPIKE

Christopher Durang’s Vanya And Sonia And Masha And Spike has arrived at International City Theatre, the delectable 2013 Best Play Tony winner proving one of early summer’s yummiest treats.
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RUBEN GUTHRIE

Giving up the bottle in a country where the rate of alcoholism is among the highest in the developed world is no laughing matter, that is unless you’re playwright Brendan Cowell, whose year of self-imposed sobriety inspired the thoroughly entertaining dark dramatic comedy Ruben Guthrie, the second half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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SPEAKING IN TONGUES

The secrets we hide from those we love, the lies we tell to protect both them and ourselves, and the truths that can only be revealed to strangers lie at the heart of Andrew Bovell’s extraordinary Speaking In Tongues, the first half of the rotating-rep double-bill that marks the welcome return of Los Angeles’s Australian Theatre Company.
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AS YOU LIKE IT

For those of us who prefer our Bard Of Avon short and sweet, Denise Devin is back with another of her hour-long Shakespeare Short Cuts, the result of which is an As You Like It exactly as you (and I) like it.
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DISNEY THE LITTLE MERMAID

It’s taken nearly ten years for Disney The Little Mermaid to make it from Broadway’s Lunt-Fontanne Theatre to “Under The Sea” at the La Mirada Theatre For The Performing Arts, but director Glenn Casale’s ingeniously reconceived, spectacularly staged take on the New York original makes it well worth the wait.
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