DANIEL’S HUSBAND

Daniel and Mitchell have been together for seven years. One of them wants to tie the knot. The other does not. And that’s about all you need to know before making a beeline for the Fountain Theatre to savor Michael McKeever’s laugh-out-loud-then-get-out-your-hankies stunner Daniel’s Husband.
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M. BUTTERFLY

Victor/Victoria’s gender-bending trickery pales in comparison to the deception perpetrated on M. Butterfly’s Rene Gallimard in David Henry Hwang’s 1988 Best Play Tony-winning rumination on race, gender, and sexuality, whose 2017 Broadway-revival rewrite now burns up the South Coast Repertory stage with two of the most powerful lead performances in town.
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BRONCO BILLY THE MUSICAL

An heiress on the run finds an unexpected hideout and a unique new family of friends while being pursued by a gang of comic villains who can’t manage to shoot straight in the infectiously crowd-pleasing World Premiere musical Bronco Billy, quite possibly the most tuneful and entertaining L.A.-cast Broadway hopeful since Sister Act made its Pasadena Playhouse debut back in 2006.
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AT THE TABLE

Booze and pot lower inhibitions, loosen tongues, and reveal cracks in the fifteen-year-long friendship of a quartet of 30somethings in Michael Perlman’s At The Table, a Road Theatre Company Los Angeles Premiere that proves as edge-of-your-seat compelling as it is provocatively button-pushing.
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MAMMA MIA!

An all-POC cast (primarily Asian, significantly Filipino), inspired direction, electrifying choreography, and the most gorgeous of production designs breathe fresh new life into East West Players’ thrillingly trailblazing Mamma Mia!, the all-around best of the many MM!s I’ve seen.
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ANNA IN THE TROPICS

Life imitates art as Leo Tolstoy’s Anna Karenina inflames dormant passions amongst Cuban emigres in Nilo Cruz’s Pulitzer Prize-winning Anna Of The Tropics, an Open Fist Theatre Company triumph.
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TIGERS BE STILL

Grief, loss, guilt, depression, and a ferocious jungle feline on the loose might seem the unlikeliest of ingredients for comedy, but playwright Kim Rosenstock weaves them all together to laugh-packed effect in Tigers Be Still, the latest Chance Theater winner.
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THE PRICE

Arthur Miller was still going strong when The Price made its Broadway debut two decades after All My Sons and Death Of A Salesman made him a Broadway household name, and if his 1968 family drama isn’t in quite the same league as those two 20th-century masterpieces, it still makes for powerful, thought-provoking drama on the International City Theatre stage.
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