THE ADDAMS FAMILY

Musical Theatre Repertory, USC’s entirely student-produced, student-directed, student-cast, student-designed troupe of multitalented Trojans is back in business after a twenty-month hiatus, and audiences lucky enough to catch their ninety-minute “quarantined concert version” of Broadway’s The Addams Family can count themselves every bit as fortunate as the student talents at long last given new opportunities to shine.
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BLUES IN THE NIGHT

A man gives three very different women plenty of reasons to sing Blues In The Night in ICT/Ebony Rep’s thrilling revival of Sheldon Epps’ Tony-nominated Broadway musical revue.
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POOR CLARE

Contemporary speak proves an ideal fit for Poor Clare, Chiara Atik’s screwball-comedy look at a 13th-century Paris Hilton who gave it all up for God and ended up a Saint.
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A GRAND NIGHT FOR SINGING


Musical Theatre West is back, and gloriously so, with A Grand Night For Singing, a grand showcase for the songs of Richard Rodgers and Oscar Hammerstein II and the five triple-threats who light up the MTW stage.
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SALVAGE


The pre-pandemic hit Salvage is back, a couple of terrific cast additions adding even more grit and depth to its already compelling mix of haunted memories and haunting country-flavored songs.
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THE NINTH DOOR


A playwright/actor’s two Marine Corps deployments in Afghanistan inform Matthew Domenico and Katherine Connor Duff’s The Ninth Door, now holding audiences riveted at West Hollywood’s The Other Space.
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CLUE


McCoy Rigby Entertainment returns live and in person to La Mirada with Clue, eighty minutes of nonstop whodunit hilarity guaranteed to cure the pandemic blues.
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OUR MAN IN SANTIAGO


The CIA enlists the most improbable of assassins to rid Chile of its democratically elected president in Mark Wilding’s edge-of-your-seat hilarious Our Man In Santiago, an incisively directed, pitch-perfectly performed World Premiere from Theatre West.
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