tick, tick…BOOM!


With its remarkable Netflix adaptation now garnering much-deserved raves, the time could not be riper for Up Next Productions to revive tick, tick…BOOM! as off-Broadway audiences first discovered it twenty years ago, restaged in 2021 by a terrifically talented director and choreographer and performed by three dynamic young triple threats at Thymele Arts.
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KEN LUDWIG’S THE GAME’S AFOOT; OR HOLMES FOR THE HOLIDAYS


Following their all-around fabulous London Suite, The Group Rep makes it two in a row with a terrifically directed/acted revival of the Ken Ludwig-meets-Conan Doyle-meets-Agatha Christie farce The Game’s Afoot; Or Holmes For The Holidays, a particularly tasty treat for audiences in search of December fare that’s not Charles Dickens’ A Christmas Carol.
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PARADISE BLUE


A nightclub owner haunted by a lifetime of demons meets a woman who spells “trouble” with a capital T in Dominique Morisseau’s Paradise Blue, the kind of noir Hollywood could have made back in the late 1940s but didn’t, an explosive West Coast Premiere at the Geffen.
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HEAD OVER HEELS


In any other year, Pasadena Playhouse’s Head Over Heels would simply be a Best Production frontrunner. Arriving in November of 2021, this celebration of racial, sexual, and gender diversity set to over a dozen The Go-Go’s hits is nothing short of a theatrical miracle.
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@PLAYAZ


A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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A HIT DOG WILL HOLLER


Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
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THE SOLDIER DREAMS & NEVER SWIM ALONE

Daniel MacIvor’s unique gifts are on display in Open Fist Theatre Company’s The Soldier Dreams and Never Swim Alone, best seen as an evening double feature to fully appreciate the Canadian playwright at his most rule-breaking and rewarding.
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MAMMA MIA!


Mamma Mia! is back, live on stage in La Mirada, and even if you’re one those who saw it on Broadway (or at any time during its fifteen-plus years of touring the country) and thought “Meh,” you owe it to yourself to see how much better the international megahit can be when freed from its original Broadway direction, choreography, and design.
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