IT’S ONLY A PLAY

If you love live theater and the people who make it, you will absolutely adore Morgan-Wixson Theatre’s delectable latest, and even if you don’t know Ben Brantley from Ben Franklin, you’ll have a smashingly good time at Terrence McNally’s It’s Only A Play.
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EARTHQUAKES IN LONDON

Epic in its scope and timeframe, intimate in its intersecting family dramas, bleak in its depiction of a world doomed by climate change, and as thrillingly theatrical as stage storytelling gets, Rogue Machine’s West Coast Premiere of Mike Bartlett’s Earthquakes In London is sure to be one of the season’s most talked-about productions.
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BLUE MAN GROUP ON TOUR

The quirky trio of pseudo-extraterrestrials known round the world as Blue Man Group have arrived at the Segerstrom Center For The Arts with their 2020 Speechless Tour to dazzle and delight with their patented brand of quirky physical comedy, seemingly superhuman feats, and audience interaction for kids of all ages.
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BAD HABITS

A nonagenarian TV legend spars with a quintet of salty-tongued singing nuns in Steve Mazur’s comedic crowd-pleaser Bad Habits, a holiday hit for Santa Monica’s Ruskin Group Theatre held over to start 2020 with a bang.
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CHARLEY’S AUNT

Effervescent performances by a pitch-perfect cast, inspired direction by a Broadway National Tour vet only just out of his teens, and a script so fresh and funny, you’d hardly guess it was written over a hundred-twenty-five years ago combine to make Glendale Centre Theatre’s in-the-round staging of Brandon Thomas’s Charley’s Aunt the year’s first bona fide comedy hit.
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THE MAN WHO CAME TO DINNER

When it comes to terrorizing an all-American family while scheming to get his own egomaniacal way, nobody did it better in the 1930s than radio superstar Sheridan Whiteside, just one reason why Golden-era Broadway fans won’t want to miss The Group Rep’s spiffy revival of Kaufman and Hart’s screwball comedy classic The Man Who Came To Dinner.
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DISPOSABLE NECESSITIES

Playwright Neil McGowan gives a futuristic spin to the age-old question “What would you do if you could live forever?” in his gender-bending, race-bending, relentlessly clever dark comedy Disposable Necessities, a Rogue Machine Theatre World Premiere.
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A CHRISTMAS CAROLE KING

No matter how many A Christmas Carols you’ve had to sit through in your life, you won’t want to miss Troubadour Theater Company’s jukebox-musical extravaganza A Christmas Carole King because (as any L.A. theater fan will tell you) when the Troubies do a holiday show, it’s by definition the most must-see of must-sees.
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