THE JOY LUCK CLUB


Fans of Amy Tan’s novel The Joy Luck Club or Wayne Wang’s 1993 film version will find much to relish in East West Players’ production of its stage adaptation by Susan Kim.
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THE MOST HAPPY FELLA


Musical Theatre Guild once again astounds with their “Concert Staged Reading” of Frank Loesser’s 1956 Broadway musical drama The Most Happy Fella, their most vocally challenging project since Elmer Rice-Kurt Weill-Langston Hughes’ Street Scene nearly two years ago.
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CHARLES DICKENS’ OLIVER TWIST


Say the words Oliver Twist and the first thing that pops into mind may be a song—“Food Glorious Food,” “Where Is Love,” “You’ve Got To Pick A Pocket Or Two,” “Who Will Buy”…  Lionel Bart’s songs are so inextricably linked to Charles Dickens’ original story that it’s hard to imagine an Oliver Twist without them, yet British writer-director Neil Bartlett has dared to do so in his 2004 adaptation (“in twenty-four scenes with several songs and tableaux”) entitled Charles Dickens’ Oliver Twist, now getting a magical L.A. premiere at A Noise Within.
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SILK STOCKINGS


Silk Stockings was songwriter Cole Porter’s last Broadway musical. The 1955 production ran for over a year, but unlike Porter’s biggest smash, the twice Broadway-revived Kiss Me Kate, Silk Stockings has pretty much vanished from view and memory. Thus, Musical Theatre West’s revisal of the Cold War comedy comes as something of an event, especially with a much rewritten book by Stuart Ross of Forever Plaid fame, who also directs.
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SONG OF EXTINCTION


•A middle-aged immigrant biology teacher relives the genocide in his native Cambodia in which 2,000,000 of his countrymen lost their lives…
•A 40ish biologist obsesses over the impending extinction of a rare species of Bolivian beetle…
•A 15-year-old viola prodigy must come to grips with his mother’s terminal illness…

These are the threads which EM Lewis weaves together in her exquisitely poetic and deeply moving new play Song Of Extinction.
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BY THE WATERS OF BABYLON


Two lost ships on a stormy sea, one with no sails and one with no rudder. Ain’t it just great, ain’t it just grand?  We’ve got each udder!”
–Joe Hardy and Lola
Damn Yankees
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SIX DANCE LESSONS IN SIX WEEKS


Prim and proper uptight elderly Southern belle meets free-spirited foul-mouthed gay jokester for Six Dance Lessons In Six Weeks in Richard Alfieri’s touching Broadway comedy, now getting a spiffy revival at Burbank’s Falcon Theatre.

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LOVELACE A ROCK OPERA


The lights dim and the upstage screen is filled with image after image—Richard Nixon, protests against the Vietnam war, uniformed soldiers, Woodstock, Kent State, the Manson girls, John and Yoko, the first man on the moon…

The year is 1969 and Linda Boreman is having sex for the first time, in a Cutlass Supreme. 
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