SIX DANCE LESSONS IN SIX WEEKS
Wednesday, November 5th, 2008
Prim and proper uptight elderly Southern belle meets free-spirited foul-mouthed gay jokester for Six Dance Lessons In Six Weeks in Richard Alfieri’s touching Broadway comedy, now getting a spiffy revival at Burbank’s Falcon Theatre.
LOVELACE A ROCK OPERA
Sunday, November 2nd, 2008
The lights dim and the upstage screen is filled with image after image—Richard Nixon, protests against the Vietnam war, uniformed soldiers, Woodstock, Kent State, the Manson girls, John and Yoko, the first man on the moon…
The year is 1969 and Linda Boreman is having sex for the first time, in a Cutlass Supreme.
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HAPPY DAYS
Saturday, November 1st, 2008
A StageSceneLA prediction: Happy Days The Musical is going to be a sold-out hit at La Mirada Theatre and a surefire smash on its soon-to-begin national tour. Thanks to major rewrites, a bunch of new songs, Michele Lynch’s rockin’-&-rollin’ choreography, and the firecracker direction of Gordon Greenberg, the 2006 Falcon Theatre world premiere musical has gone from so-so to wow-wow!
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THE LADY WITH ALL THE ANSWERS
Wednesday, October 29th, 2008
Advice columnist Ann Landers had for decades been famous as “the lady with all the answers” when, on a night in 1975, she sat down to write the most difficult column in her career. “The lady with all the answers doesn’t have an answer to this one,” wrote Ann … in the column which announced to her readers the end of her 36-year marriage.
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HALO
Monday, October 27th, 2008
Coming to Beverly Hills as a delightful pre-holiday treat, Josh MacDonald’s Halo combines the quirky charm of TV’s Northern Exposure and Picket Fences with more than a bit of Christmas spirit.
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THE HEIRESS
Sunday, October 26th, 2008
Blanche in A Streetcar Named Desire. Martha in Who’s Afraid Of Virginia Woolf. Sally in Cabaret.
Cast the right actress in one of these roles and you’re sure to get a brilliant performance, the kind that gets nominated for an Oscar or Tony, and maybe even wins. It happened to Jessica Tandy and Vivien Leigh, to Uta Hagen and Elizabeth Taylor, to Natasha Richardson and Liza Minnelli.
LOVE’S OLD SWEET SONG
Friday, October 24th, 2008
The Syzygy Theatre Group joins in the International Centennial Celebration of William Saroyan with an captivating production of one of the Armenian-American writer’s lesser known works, 1940’s Love’s Old Sweet Song. Like Saroyan’s The Human Comedy, Love’s Old Sweet song is both sentimental and idealistic, and all the more wonderful for being so. Like the screwball comedies of Preston Sturges and Howard Hawks, it involves mistaken identities, culture clashes between haves and have-nots, some fast-talking, witty repartee, and ridiculous, farcical situations. It is this blend of the screwball and the sentimental that makes Love’s Old Sweet Song such a magical piece of theater.
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OKLAHOMA!
Thursday, October 23rd, 2008
As the orchestra plays the final notes of the overture, the curtain rises on a middle-aged woman sitting alone on stage in front of a butter churn, her hands around the plunger, methodically moving it up and down. Behind the woman is a farmhouse and fields of corn as high as an elephant’s eye, and her long country dress tells us we are in the early 1900s. From offstage comes a male voice singing a capella, “There’s a bright golden haze on the meadow…” The voice grows louder until the man enters, wearing a cowboy hat and chaps. “Oh what a beautiful morning… Oh what a beautiful day,” serenades the man to the farm woman, who continues her churning.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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