LEADING LADIES
Sunday, October 12th, 2008
Actors Co-op has found the perfect complement to the concurrently running drama of The Elephant Man—Ken Ludwig’s hilarious gender-bending Leading Ladies. What better way to put an end to the post-summer blues than by spending a couple hours with the oddest couple of men in drag since Tony Curtis and Jack Lemmon put on lipstick and hose in Some Like It Hot? Unlike Tony and Jack, though, our two unlikely “heroines” are not on the run from the mob but rather in search of a few million dollars to be inherited if only they can convince a dying woman that they are her lone (and long lost) female relatives. Here’s how it goes:
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GIRL’S ROOM
Saturday, October 11th, 2008
Take West Side Story’s original Maria and A Chorus Line’s original Cassie and star them together in 2008 and you have, as Girl’s Room’s publicity proclaims, two veritable Broadway legends sharing the same stage for the first time, and more than enough reason to catch Joni Fritz’s ingratiating dramedy during its limited engagement at the El Portal.
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PORCELAIN
Friday, October 10th, 2008
BRUTAL TOILET-SEX MURDER IN BETHNAL GREEN!
British tabloids trumpet the news of a vicious murder in a public lavatory in East London. John Lee, a nineteen-year-old Londoner of Asian descent, is accused of cold-bloodedly shooting William Hope, his twenty-six-year old Caucasian lover, six times at close range. Bang! Bang! Bang! Bang! Bang! Bang!
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M BUTTERFLY
Sunday, October 5th, 2008
David Henry Hwang was inspired to write the Tony Award-winning M Butterfly by the Ripley’s Believe It Or Not-worthy real-life case of a French diplomat who carried on a 20-year affair with a Chinese Opera performer, never once suspecting that the love of his life was a man pretending to be a woman. It was only when charged with treason (for having passed on sensitive political information to his “mister-ess”) that the diplomat found out that his “she” was in fact a “he.”
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HELLO, AGAIN
Thursday, October 2nd, 2008
Arthur Schnitzler’s 1897 classic La Ronde becomes a seductive chamber musical in Michael John LaChiusa’s Hello, Again, currently being staged by USC’s Musical Theatre Repertory in an all around sensational production which proves that student produced-directed-acted-designed work can give any professional production a run for its money.
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DEAD MAN’S CELL PHONE
Sunday, September 28th, 2008
A woman sits alone at a table in a nearly empty café. Several yards away, at another table, a man’s cell phone rings. And rings. And rings. What else is the woman to do but go over to the man to see why he’s ignoring his phone. “Are you deaf?” she asks, then realizes the stupidity of her question. Nothing to do but answer the phone herself and take a message. Then it hits her why the man isn’t responding. She picks up a spoon from his table and holds it up to the man’s nose. Nothing. His cell phone still in her hand, she dials 911 and calmly informs the operator, “I think there’s a dead man sitting next to me.”
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KISS OF THE SPIDER WOMAN
Friday, September 26th, 2008
What 1993 Broadway hit ran for over 900 performances and won 7 Tonys including Best Musical, Best Book, and Best Score (inspiring not one but two different Broadway Cast Recordings), yet is only now getting its first major Los Angeles production since its 1996 National Tour played the Ahmanson?
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LOUIS AND KEELY LIVE AT THE SAHARA
Thursday, September 25th, 2008
By the time Louis Prima met 16-year-old Keely Smith in the late 1940s, the 37-year-old Italian-American entertainer’s career had already undergone several transformations. In his teens and 20s, Prima had played trumpet in jazz combos and bands. In 1940, he formed his own Big Band, singing most of the vocals himself. By the time the 1950s rolled around, the Glenn Miller/Benny Goodman sound was passé, and “Louis Prima and Keely Smith” began their successful Las Vegas career, performing multiple shows from midnight until dawn.
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