SEESAW
Monday, September 15th, 2008
What would L.A. musical theater lovers do without MTG? Who else but the musical theater magicians who make up Musical Theatre Guild would give Angelinos the chance to see a production of a rarely produced Broadway semi-hit like 1973’s Seesaw? Who else could do it with a mere 25 hours of rehearsal? And who else could achieve such overall excellence in a “concert staged reading” that it could easily hold its own against many a “fully staged production” on local stages?
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AN ITALIAN STRAW HAT
Sunday, September 14th, 2008
When most people hear the word “vaudeville,” those who’ve heard of it probably think of a staged variety show with singers, comics, dance acts, magicians, and trained monkeys … or something of the like. At least that’s how I would have defined vaudeville before seeing An Italian Straw Hat: A Vaudeville, at South Coast Rep.
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THE FRIENDLY HOUR
Friday, September 12th, 2008
Playwright Tom Jacobson finds greatness in the “small” lives of a group of South Dakota housewives in his newest play, The Friendly Hour, being given a splendid World Premiere Production at the always splendid The Road Theater.
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NO EXIT
Friday, September 12th, 2008
What a difference a director makes.
When I saw a production of Jean-Paul Sartre’s No Exit last April, I just didn’t get it. The bizarre costuming and makeup (the lead actor wore green glitter in his gelled jet black hair, dark glittery lipstick, heavy eye shadow, and rouge, and was attired in a waistcoat, dark green silk vest, tight black leggings and 8” platform boots) and robotic movements affected by the actors took me out of the story and not into the world they were striving to create.
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R.R.R.E.D. / THE REDHEAD MUSICAL MANIFESTO
Sunday, September 7th, 2008
Though it won’t be for all tastes, R.R.R.E.D. / The Redhead Musical Manifesto is a wow of a showcase for a wow of a redheaded singer-songwriter, Katie Thompson, and her talented redheaded musical cohort Patrick Livingston.
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SHE LOVES ME
Saturday, September 6th, 2008
A man and a woman who can’t stand each other in real life fall in love with each other in cyberspace. Sound familiar? It should be if you’ve seen Tom Hanks and Meg Ryan in You’ve Got Mail. But before email, there were letters, and 35 years before You’ve Got Mail, there was the 1963 Broadway musical She Loves Me, a pre-Internet version of the same irresistible tale.
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FRANKIE AND JOHNNY IN THE CLAIRE DE LUNE
Thursday, September 4th, 2008
Frankie and Johnny were lovers and (as the song goes), “Oh Lordy, how they could love,” that is until she caught Johnny cheating on her “with that high-browed Nellie Bly” and shot him dead.
Fortunately, things are a good deal more hopeful for the lovers in Terrence McNally’s moving two-character, two-act dramedy, Frankie And Johnny In The Clair De Lune, now playing at International City Theatre in Long Beach. With the superb Libby West and Thomas Fiscella in the title roles and master director Todd Nielsen at the helm, ICT’s production proves to be one of their finest.
VANITIES
Tuesday, September 2nd, 2008
Vanities, the new Broadway-bound musical at the Pasadena Playhouse, takes a tuneful, laugh-filled, and sometimes emotional look at the lives of three small town Texas women from the optimistic Camelot years of the early 1960s, through the draft card and bra burning the late 60s, and on into the swinging 70s. Based on Jack Heifner’s immensely popular three-character three-scene comedy (one of the longest running plays in off-Broadway history), Vanities (the musical) adds David Kirshenbaum’s catchy melodies and story-propelling lyrics to the mix, plus a fourth scene (bringing the women up to 1990), to create a laughter and tear-filled 90-minute musical journey through the lives of three very different best friends.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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