BARBRA’S WEDDING


Nick Bredosky and Kaylin Zeren deliver the comedic goods in a savvily gender-swapped take on Daniel Stern’s married-couples comedy Barbra’s Wedding, now halfway through its two-Fridays-only run at LA Connection Comedy Improv Theatre.
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THE 22+ WEDDINGS OF HUGO MULITPLE


Latino Theater Company treats L.A. audiences to a rarity in this city of almost a million-and-a-half Spanish speakers, teatro en español (with English supertitles) thanks to Gala Hispanic Theater’s The 22+ Weddings Of Hugo Multiple, Gustavo Ott’s simply marvelous look at love and immigration in today’s America.
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BUYER & CELLAR


Emerson Collins delivers the solo performance of the year (opposite none other but Barbra Streisand herself) in Jonathan Tolins’ Buyer & Cellar, the latest winner from The Sixth Act.
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MURDER ON THE LINKS


Playwright Steven Dietz has taken Agatha Christie’s 1923 whodunnit Murder On The Links and adapted it as a rollicking, tongue-in-cheek six-actor farce that only the most diehard Christie purist could fail to love.
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ROBBIN, FROM THE HOOD


Robbin, from the Hood, goes head-to-head with a multibillion-dollar conglomerate in Marlow Wyatt’s invigorating follow-up to 2023’s Best-of-the-Year Scenie-winning SHE.
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SOMEONE LIKE ME / IN WHOSE EYES?

Art Of Acting Studio debuts two very different World Premiere one-acts, Richard Gustin’s Someone Like Me and George Kappaz’s In Whose Eyes?, and in the case of the former, you’ll be seeing a quite different play than the one reviewed here.
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AUGUST WILSON’S THE PIANO LESSON


To sell or not to sell. That is the question at the heart of the Pulitzer Prize-winning August Wilson’s The Piano Lesson, an October gift from A Noise Within to the playwright’s many fans, and even for those like this reviewer who’d prefer it if Wilson’s Pittsburgh Cycle decalogy didn’t run a hefty three hours each, this is easily one of his most entertaining and powerful works.
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THE IMPORTANCE OF BEING EARNEST


Inspired direction, pitch-perfect performances, and a gorgeous production design combine to make Antaeus Theatre Company’s 2024 season opener about as perfect a The Importance Of Being Earnest as any Oscar Wilde lover could wish for.
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